In Mexico during the revolution, a dynamite expert and an Irish republican revolutionary form an unlikely alliance to rob a bank, derail a train, and join the battle against the regime.
During the Mexican Revolution, a bandit gang enlists the help of a gun-for-hire to carry out the assassination of a Mexican general. The mission takes them on a dangerous journey through Mexico as they face betrayal, ambushes, and a deadly double-cross.
Viva Maria! is a comedy adventure film set in the early 1900s. It follows the story of two vaudeville performers named Maria who become involved in a revolution in a fictional country. The film parodies the spaghetti western genre and explores themes of rebellion and female empowerment.
Compañeros is a comedic spaghetti western set during the Mexican Revolution. It follows the adventures of a group of unlikely companions as they navigate the dangerous landscapes of the border. The film is filled with shootouts, chases, and hilarious moments as the characters find themselves in various predicaments. It is a fun and entertaining movie that combines action, comedy, and western elements.
Tepepa tells the gripping story of a revolutionary leader, Tepepa, who forms an unlikely alliance with a Mexican doctor to fight against the oppressive regime during the Mexican Revolution. As they navigate through the treacherous landscape of class struggle and cultural clashes, Tepepa and his comrades face violent encounters, explosive confrontations, and a battle for justice. The movie explores themes of revenge, revolution, and the complexities of the Mexican society during that time.
In The Five Man Army, a team of five mercenaries, each with their own unique skills, come together to carry out a daring train robbery. Their target is a train carrying stolen gold during the Mexican Revolution. The team must navigate various obstacles, including the Mexican Army, bandits, and treacherous terrain, in order to successfully complete their mission. Along the way, they face intense battles, explosive confrontations, and unexpected double-crosses. The fate of the stolen gold and the success of the mission hang in the balance.
In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.
During the Mexican Revolution, Pancho Villa is wounded and left his large treasure in gold back in the city of Colón. He is forced to establish an alliance with General Urbina, leader, and he asks seven of his faithful guerrillas to take back the gold that he has hidden in a farm, near the New Mexico border, and which will allow him to pay for a new army and guns.
A young European, Diego Medina (Carvell), joins the Mexican revolution and becomes a courier for Pancho Villa. He is captured and tortured by the Federales but escapes to the desert where he meets and joins a bandit named Malpelo (Fajardo) and his gang.
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