In Klimt (2006), a biographical drama and romance film, the story revolves around the life of renowned painter Gustav Klimt. Set in the early 1900s, the movie delves into his relationships, artistic endeavors, and the controversial aspects of his life. The film explores themes such as opulence, mental illness in the family, open marriage, lust, and artistic creation. With elements of symbolism and voyeurism, Klimt's life unfolds through a series of flashbacks, presenting the audience with a oneiric journey into the mind of a genius.
A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.
Marlon E. Fuentes' Bontoc Eulogy is a haunting, personal exploration into the filmmaker's complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a "living exhibit" at the 1904 St. Louis World's Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair's glorification of progress. The Fair was the site of the world's largest ever "ethnological display rack," in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.
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