When a young accountant joins a prestigious corporate firm, he becomes entangled in a web of workplace drama, harassment campaigns, and moral dilemmas. As the pressure mounts and his mental state deteriorates, he finds himself facing jail time and contemplating suicide. This gripping film explores the psychological torment and tragedy that can result from corporate culture.
A press agent for a Broadway actress whose career is going downhill attempts to get her some publicity by having her adopt two orphans, without her knowledge.
This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.
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