A look back at the social movements, revolts and youth subcultures from the post-war period to the present day: after the World War II, the left-bank of Paris became a mecca for jazz and alternative living, youth culture was born with trailblazing American movies, and rock became the soundtrack to a generation that wanted to change everything.
In 'Can't Get You Out of My Head', director Adam Curtis delves into the complex history of power dynamics, consumerism, and political revolutions through a thought-provoking exploration of events in the United States, Britain, China, and beyond. The series investigates the rise and fall of empires, the impact of technology and high-tech promises, and the influence of global politics on society. Through archive footage and insightful commentary, Curtis sheds light on the interconnectedness of world history and the forces that shape our present reality.
Propaganda is a documentary that delves into the history of political propaganda in Western society. It examines the role of propaganda in shaping public opinion, with a particular focus on the United States and its relationship to North and South Korea. The film explores themes of capitalism, imperialism, and the socioeconomics of propaganda, offering insights into the American way of life and its impact on global politics. Through interviews, archival footage, and expert analysis, Propaganda provides a thought-provoking examination of the power of misinformation and the manipulation of public perception.
A documentary exploring the ideology of laissez-faire capitalism and its effects on the global economy, politics, and social issues. It delves into topics such as economic theory, poverty, wealth disparity, corporate power, and neoliberalism, providing a historical overview and interviewing experts in the field. The film aims to shed light on the economic problems faced by society and stimulate a philosophical discussion on the philosophy of politics and economics.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
In these interviews, Dennis McKenna, Alex Grey, Rick Strassman, and other champions of psychedelics share their views on the value of psychedelic medicine, and its neglect in Western society.
Turna is brought from Turkey to Germany by her husband Dursun to start a new life. She soon realizes that he keeps her locked up in their flat every time he leaves for work in order to save her from immoral influences of the Western society. The dream of a better life becomes an inner fight between her culture and her freedom.
During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.
German ship captain Gottfried Hinrichs reluctantly retires to his Bavarian home, hoping to find comfort when his daughter Barbara moves back home, convenient now she has become a commercial pilot. So he dishes out the usual objections when she tells to have found her mate, while ma Lisbeth tries to shush. When the lovers turn up for Christmas Eve, a culture shock follows, for her dream prince is Palestinian unemployed would be-pilot Kamal Abu Khalil, and neither 'liberal' parent extends effective tolerance to Islamic in-potential laws. Ultimately Gottfried is worn down, but then the incompatible religious marriage norms seem to break up the couple itself. It gets even worse when his parents found out and fly in, while she feels neglected as Kemal starts an electronic muezzin Internet firm with a friend.
Alex is intersex. Although he has XY chromosomes, his sex is ambiguous. When Alex was an infant, his mother authorised genital reassignment surgery, and he was thereafter raised female. Now Alex is an adult, and he is consumed by feelings of anger and loss. After meeting other "XY women" and doing a lot of soul-searching, he decides he wants to live as a man.
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