Sanford and Son is a comedy series set in an African-American neighborhood in Watts, Los Angeles. The show follows Fred Sanford, a junk dealer, and his adult son Lamont as they navigate the ups and downs of their family business. With witty wisecracks and laugh-out-loud moments, Sanford and Son explores the dynamic relationship between a father and son as they hatch get-rich-quick schemes and deal with the challenges of running a business.
Redd Foxx isn’t done scheming and wise-cracking in the spin-off to one of America's most beloved sitcoms.
A documentary about the making of Aretha Franklin's bestselling gospel album, 'Amazing Grace,' recorded live at the New Temple Missionary Baptist Church in Watts, Los Angeles in 1972.
In Carbon Copy, a wealthy white executive named Walter Whitney Jr. discovers that he has a biracial son named Roger who was born out of an affair Walter had with a black woman. Roger, a struggling pre-med student, finds out about his true parentage and decides to confront Walter. As the two navigate their differences and racial tensions, they also embark on a road trip and become unlikely allies.
LA 92 is a documentary film that explores the events leading up to and during the 1992 Los Angeles riots. It delves into issues of police brutality, racism, and the social and economic tensions that fueled the unrest. The film uses archival footage and interviews to provide a powerful account of the riots and the underlying causes.
Killer of Sheep is a poetic and poignant exploration of life in the Watts neighborhood of Los Angeles. The film follows Stan, a slaughterhouse worker, as he navigates the challenges of poverty, family relationships, and the struggles of everyday life. Through a series of vignettes, the film captures the beauty and hardship of life in the inner city, highlighting themes of hope, resilience, and the human spirit.
Burn Motherfucker, Burn! is a documentary film that delves into the history, causes, and aftermath of the Los Angeles riots. It examines the tensions between the African-American community and the LAPD, the impact of police brutality, and the inequality faced by minority communities. The film utilizes archive footage, testimonies, and interviews to paint a vivid picture of the events and shed light on the ongoing struggle for racial justice.
How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960's and 1970's? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope - from New Jersey to California - this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.
Wattstax is a documentary film that showcases the historic Wattstax music festival, held in 1972 at the Los Angeles Memorial Coliseum. The film captures the essence of the event, which was organized to commemorate the seventh anniversary of the Watts Riots, a pivotal moment in the civil rights movement. With powerful performances by renowned African-American artists such as Isaac Hayes, The Staple Singers, and Rufus Thomas, Wattstax highlights the struggles and triumphs of the African-American community in America. It celebrates the vibrant culture, soulful music, and collective pride of the black community.
Leonard Jackson plays a barber who is also the domineering head of a middle-class African American family. Jackson is forced to rethink his values when his previously docile wife (Clarice Taylor) joins their three children in rebelling against her husband's retrogressive behavior.
A doctor spends 24 hours in a clinic with a group of patients. Each character has his or her own story to tell, about their fathers, mothers, or spouses who don't understand them, and how they've turned instead to drugs.
Charlie Banks, chronically unemployed, struggles to find dignity and a meaning for life in the impoverished Los Angeles neighborhood of Watts.
Why We Bang is a 2006 independent documentary film that documents the historical background of LA's Bloods and Crips gangs. The film follows several current and former members of the Bloods and Crips of Los Angeles through interviews
This 13-minute short subject, marketed as an educational film, records a slice of life in the Watts neighborhood of Los Angeles prior to the rebellions of 1965. Filmmakers Trevor Greenwood, Robert Dickson and Alan Gorg were UCLA film students when they crafted a documentary from the perspective of the unassuming-yet-articulate teenager Felicia Bragg, a high-school student of African-American and Hispanic descent. Felicia’s first-person narrative reflects her hopes and frustrations as she annotates footage of her family, school and neighborhood, creating a time capsule that’s both historically and culturally significant. Its provenance as an educational film continues today as university courses use "Felicia" to teach documentary filmmaking techniques and cite it as an example of how non-traditional sources, as well as mainstream television news, reflect and influence public opinion.
After his son is denied enrollment by the local elementary school for not identifying his "primary race," a multiracial father journeys through America's maze of Identity Politics to better understand our relentless preoccupation with race.
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