At a three-day retreat in upstate New York, Marina instructed Lady Gaga in the Abramovic Method—a series of exercises designed to heighten participants' awareness of their physical and mental experience in the present moment.
Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.
What happens when two hands touch? How close are they like? And how can proximity be measured, and even more so, in times of a pandemic and distancing? We think we touch things, that we can take other people by the hand, but physics tells us quite another story.
A girl lives a traumatic experience due to drugs, her friend's words are the breath that makes her float again
During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.
Inhabitants of the territories annexed to the ancient city of Moscow get used to their new condition. It is not too distant of a future, but another large-scale expansion of the city will create and/or ruin some more fates. Will the "Myth-Module," an experimental device made by G.T. Podmyshkin, the professor of urban anthropology and the captain of a pirate spaceship, save him and his crew?
Videoart inspired by Daisies (1966) by Věra Chytilová. This short film explores teenagehood feelings as a woman by mixing psychedelic elements and instrumental music.
Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.
On weekends or holidays, the Zhongli train station in Taiwan is always filled with migrant workers who moved to seek out better economic or living conditions. In 1949, millions of Chinese soldiers and civilians migrated to Taiwan; they are regarded as ‘displaced persons’. Yuan’s father was one of these immigrants, a refugee of the civil war, a stranger away from home. For The Strangers, Yuan uses a high-speed camera and a high-lumen spotlight to shoot from the moving passenger car through the window. As the camera captures the face of each person standing on the platform, these strangers transform into sculptures, frozen in time.
ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.
A student videoperformance about a group of emotions of a girl in a ritual of tiredness and it’s obsolescence.