Movies and TvShows featuring "video-installation" theme.

"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple screens as an expansion of cinema as exemplified by Abel Gance’s Napoléon (1927), it presents what is literally a conceptual expansion of cinema in the form of a filmic work experienced in a theater in which the 15-channel, surround-sound audio constructed by Araki Masamitsu and Ito’s visuals organically intertwine."

Days and Nights is a comedy-drama that takes place in New England in the 1980s. The story revolves around a famous actress who gathers her family and friends for a weekend in her country estate. As the weekend unfolds, old wounds resurface, relationships are tested, and chaos ensues. The film explores themes of love, rejection, recklessness, and the complexities of family dynamics.

In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.

An inventor looking for backing for his television invention gets involved with a crooked businessman and gangsters who try to steal his invention.

Cremaster 3 is a surreal and abstract art film set in New York City. It delves into themes of freemasonry, undead, and torture. The movie showcases the Cremaster Cycle, with references to the Guggenheim Foundation and contemporary art. A hidden gem known for its unique aesthetic and video installations.

This video installation explores the representation of Black bodies in the French cultural and media landscape. Jérémie Danon and Kiddy Smile bring together personalities from diverse backgrounds in cars, allowing them to share common reflections and personal experiences.

Terror Nullius is a remix collage film that takes snippets of Australian film and television history to create a political and cultural critique. It explores themes of colonialism, politics, and nostalgia, while also incorporating elements of mythology and eco-horror.

As a young man, Dorian Gray's beguiling innocence captured the eye of famed artist Basil Hallward. As the two enter into a close friendship, Basil crafts a remarkable piece of art that seems to capture Dorian's essence as much as it does the artist's obsession. Stricken by the remarkable beauty of the piece and lamenting his own inevitable loss of youth, the troubled Dorian makes a wish that the artistic rendering of him bear the weathers of time while he remains forever youthful. Later, as Dorian strikes up a friendship with Lord Henry, wealthy entitlement, decadence, and obsessive pleasure lead the handsome young noble down a dark path of drugs and dangerous friendships. When Basil attempts to help his old friend, the artist's nobility ends up costing him his life. Through it all, Dorian remains as hypnotically handsome as ever.

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics. Performers will appear in Ikeda’s work for the first time, performing as operator/conductor/observer/examiners. All the components on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness – these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.

An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.

An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.

An exploration of how the U.S. military employs video game technology to train troops for war. Three Dead depicts a military exercise within a mock Iraqi town built on the outskirts of Twentynine Palms, California, blurring the line between computer simulation and reality.

This film documents Kutlug Ataman's artistic production in a retrospective approach and elucidates his works with his own words and with commentaries by curators, art institution directors, art historians and critics who are familiar with his production through close collaboration, to witness the construction of an impressive artistic production spanning 15 years. The film also includes the excerpts from the artworks and the installation footages of their realization.

Each pixel is separated like an exploded screen, set in a chaotic way into the space. The video has a whole movement in the room, as one three dimensional image. The experience resembles the brain, working with electromagnetic waves and low voltage information.

A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.

Hollywood Burn is a documentary film that delves into the history and consequences of video piracy in Tinseltown. Through a collage of film clips and archival footage, the movie showcases the rise of video piracy and its effects on the film industry. It examines the legacy of piracy and its impact on both the art of filmmaking and the economy of Hollywood. With a blend of nostalgia and critical analysis, Hollywood Burn paints a comprehensive picture of the controversial topic.