Minari tells the story of a Korean-American family who moves to a small farm in Arkansas in the 1980s. The family faces various challenges as they try to achieve their version of the American Dream. The film explores themes of family relationships, cultural assimilation, and the pursuit of hope and fulfillment.
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi
Think Global, Act Rural is a documentary that explores the consequences of industrial agriculture, focusing on issues such as economic inequality, pesticide use, soil degradation, and the exploitation of farmers. The film highlights the importance of sustainable and organic farming practices.
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