Third-year middle school student Yu-yu Kondo lives in Kanazawa city of the country of Kaga. Being unable to reject requests, Yu-yu often gets caught up in his sister's hobbies. When Yu-yu could no longer bear it and ran away from home, he was saved by Megumi Okura. Megumi invites Yu-yu to the Night Amusement Park "Wonder Hill" where her friends gather. The amusement park is where many youths of the Vanguard-centric group "Team Blackout" gather. And this is how Yu-yu encounters Vanguard and was drawn in by the appeal of Vanguard and the world and friends he had never seen before.
After the events of Link Joker-hen, Takuto Tatsunagi announced an invite-only tournament in a dream, and invited both Aichi and Kai to take part in "Messiah Scramble". The prize being the card named "Messiah", the name of a saviour that was heard in a dream. At the same time, there were many incidents of units disappearing from Vanguard cards throughout the world. Aichi and Kai team up to a confront an enemy that threatens the peace they've just regained. The movie is a prequel to Legion, leading up to Aichi's disappearance.
Monopoly – Who Owns The World is an independent documentary produced by Tim Geilen. The film shows the institutional investment firms that sit at the top of the complex and opaque corporate pyramid structure. Monopoly shines a much-needed light on these corporations, the people behind them, and their rapacious behavior.
Lieutenant Takala meets his fellow partisans of 20th division many year after the war. With flashbacks we see the events of summer 1944.
A man and a woman living in the same pension, but different rooms, grow intimate behind the landlady's back.
There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here,” says filmmaker Albert Moya, who directed latest installment of In Residence. “It goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.
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