A wealthy department store tycoon goes undercover as a shoe salesman to get to know his employees and discovers the struggles and class differences they face. Along the way, he falls in love with a working woman and joins forces with the employees to fight for better working conditions.
Bread and Roses (2000) follows the story of a group of janitors, mostly immigrants, who work in a Los Angeles office building. Inspired by the efforts of labor organizer Maya, they organize themselves to fight for better working conditions, higher wages, and access to healthcare. The film highlights the challenges they face, including the opposition from the corporation and the coercion tactics used against them. It is based on a true story and showcases the courage and determination of the characters in their pursuit of justice.
Inspired by True Events. When the murder of a migrant worker shakes a southwest border town to its core, the feud between a newspaper owner and the chief of police leads to the blurring of the truth and a dirty fight for justice.
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
In the 1920s, the rights of American workers to join a labor union was still considered an open question, and African-Americans were routinely denied their civil and economic rights. 10,000 Black Men Named George, the title, refers to the fact Pullman porters were often called "George" by white passengers, which was considered a racial slur.
Wealthy, powerful sweatshop owner falls in love with employee's teenage daughter, who feels obligated to marry him after he shares his wealth with her parents, though she actually loves a young Marxist unionizer.
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