Halfaouine: Boy of the Terraces tells the story of a young boy growing up in Tunisia, navigating the complexities of family relationships, sexuality, and societal expectations. Through his adventures and encounters in the neighborhood, he begins to explore themes of religion, love, and self-discovery, ultimately entering into a new phase of adolescence.
The Big Red One follows the adventures of a unit of US Army infantry soldiers as they fight their way across Europe during World War II. From the beaches of Normandy to the deserts of Africa, they face numerous challenges and witness the horrors of war firsthand.
After living in Paris for many years, a Tunisian psychotherapist returns to her hometown of Tunis and decides to open a private practice. As she navigates the challenges of starting a new business in a conservative society, she forms unexpected connections and breaks taboos along the way.
The String follows the journey of a man who finds himself caught between love and political activism in Tunisia. Set against the backdrop of a changing society, he navigates through complex relationships and personal struggles while questioning his own identity.
As I Open My Eyes (2015) follows a young woman named Farah as she rebels against societal norms in Tunisia during the Arab Spring. When Farah's singing career starts to gain attention, her choices become more difficult as she faces oppression from an oppressive government and encounters violence and trauma along the way.
A poor nurse falls in love with the son of one of her wealthy patients. Abandoned by her husband while pregnant, she must fight her husband's wealthy and powerful family in court.
Set amongst derelict, half-finished apartment complexes of a former regime, the discovery of a mysterious burnt body by two police officers reveals a puzzling repetition of events. As the investigation progresses, a network of violence and corruption is uncovered throughout the city.
Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.
An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.
An art thief tries to double cross his gangster boss.
In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.
Over forty and in a bit of a midlife crisis, Tunisian film director Raouf is prone to excessive drinking when not engaged in an argument with his French-born wife Lou (Marianne Basler). One respite to Raouf's dreary life is a recent film assignment -- to shoot an autobiographical film about his childhood. While working on the script, Raouf recalls his childhood home life under the strictures instituted by his devoutly religious father. The polar opposite of Raouf's father was his uncle Mansour, a jolly, life-loving soul who introduced Raouf to cinema through his work as a wandering film projectionist, which angered and shocked his father to no end but proved to be the most pivotal development in the youngster's life. Through cinema, Raouf found his place in this world and came-of-age -- something he may have to revisit in his adult life if he wishes to salvage his marriage.
Tunisia's submission for the Academy Award for Best Foreign Language Film in 1995
Keswa: The Lost Thread follows the story of a 27-year-old woman in Tunisia who is dealing with the pressures of marriage and tradition. It is a comedic drama that explores themes of feminism, family, and cultural expectations.
Hadjis, a philosophy professor in his thirties, put his spiritual concepts into practice when he left Europe to settle in a working-class district of Tunis, where he lived in destitution. Together with two followers of his philosophy, a medical student and a poet, they form a close-knit, wise cenacle. Unfortunately, Hadjis strangles a prostitute while on a hashish binge. The police put an officer in charge of the investigation, and he soon tracked down the murderer. But, converted by the three friends to their philosophy, he ends his investigation and leaves the police to join them.
When Rome was still in its infancy, Carthage was the dominant power of the Mediterranean. As Rome grew, Carthage remained its only great rival. It was that rivalry that drove Rome to utterly destroy Carthage, and massacre its people.
On the occasion of the seventieth anniversary of the signing of the Bardo Treaty, this propaganda film celebrates France's modernizing action in Tunisia.
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