In The Fixer Uppers, Laurel and Hardy find themselves in a compromising situation when the husband catches his wife with another man. In an effort to make the husband jealous and save their friendship, the duo comes up with a plan to challenge the man to a duel. As they navigate through various comedic obstacles like business cards, greeting cards, and a cafe, they must find a way to fix the situation before it gets out of hand.
Vincent Doane is in the precarious position of trying to close an advertising account with his rich ex-fiancée. Unfortunately she is more interested in him than in business. Vincent's wife Paula gets suspicious and finally decides to do some flirting of her own to make him jealous. Unknown to her, she chooses cigarette tychoon Claude Kimball. In fact, Kimball hits it off well with both of the Doanes. The question is whether or not their marriage can survive all the shenanigans.
Parlor, Bedroom and Bath is a slapstick comedy that follows the story of a man caught up in a web of confusion, as he is mistaken for someone else and becomes involved in romantic rivalries and hilarious situations. With a mix of seduction, mistaken identities, and slapstick humor, this movie is a delightful comedy filled with laughter and misunderstandings.
Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.
To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.
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