Movies and TvShows featuring "triptych" theme.

A triptych fable following a man without choice who tries to take control of his own life; a policeman who is alarmed that his wife who was missing-at-sea has returned and seems a different person; and a woman determined to find a specific someone with a special ability, who is destined to become a prodigious spiritual leader.

Certain Women tells the story of three women in rural Montana as they navigate through loneliness, dysfunctional relationships, and the search for love and connection.

Eva is a triptych of stories about a model named Eva. In each story, Eva is seen in a different situation, exploring themes of sexuality, exploration, self-exploration, loneliness, and empowerment. The film takes place in various locations, including a hotel room, a swimming pool, a rooftop, and a corridor. Throughout the film, Eva's character is portrayed as a blonde woman who is both powerful and innocent.

"Jordan Lisi's got some great ideas about structure here, which he's taken off and run with, hard--the result is this tough little jewel of indie cinema." - Andrew Bujalski

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

A modest film of three independent parts showing sad couple stories.

Historias de fútbol is an anthology film that tells multiple stories centered around the theme of football. It explores different aspects of the sport, including the lives of football players, coaches, and fans. The film takes place in various locations in Chile and offers a unique perspective on the impact of football on people's lives.

Saitarn, a retired post-op transsexual, falls in love with a local mechanic. Tonmai has inherited a gay cabaret bar from his father. And Din is a high school boy whom his father found out to be a trans. His father sends him upcountry to be ordained hoping it may make him straight.

Tríptico Elemental de España is a documentary film that presents a compilation of short films, each exploring a different aspect of Spain. Through experimental techniques and artistic visuals, the film delves into the diverse landscapes and cultural heritage of the country. From the enchanting Alhambra in Granada to the picturesque landscapes of Galicia, the film captures the beauty and essence of Spain.

A three-part love story: Alborada, Cénit y Ocaso (Sunrise, Noon and Sunset). A dying prince (Agüeros) lives a stormy love affair with a "femme fatale" (Padilla) who doesn't care for his feelings.

What a Mess is a comedy set in Athens, Greece. It explores the themes of poverty, wealth, commentary on society, and allegory through a triptych of interconnected stories. The film combines elements of tearjerker melodrama, detective mystery, and political satire.

Three women’s lives intersect in a small town in Uzbekistan following the Second World War. The first, an old woman trapped in a forced marriage; the second, a schoolteacher intent on imposing progress on the remote region; the third, a young woman determined to build her own house without her husband’s or the state’s approval.

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

X Quinientos tells the story of Alex, David and Aurora, three people who live in opposite ends of the American continent, but who are connected due to their incapacity to accept mourning and to their need of changing in order to move on with their lives.

Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.

The film follows three stories that take place in the slums of a city in French Equatorial Africa. At nightfall, people seem to regain a vitality which explodes in the bars to the rhythm of the latest hits from the music charts. The first part tells the story of Petit-Jean, a young graduate, who is unemployed and roams the city in search of work. From humiliations to frustrations, the destiny of this young ordinary African changes dramatically. The second part follows a young girl who transforms herself into an angel of death in order to free herself from a traumatic past. The final section is of an encounter between a woman and a man who seem ordinary at first, but a past which the woman had thought had forever disappeared, resurfaces in this man.

An homage to Len Lye and Jules Engel, Terra Incognita is a hand-drawn animated abstraction in three parts.

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.