Appointment with Death (1988) is a crime, drama, mystery, and thriller movie based on the novel of the same name. Set on a cruise ship in Trieste, the story revolves around a murder mystery. A female murderer, blackmail, and poisoning are key elements in the plot. The investigation is led by a lawyer, with a crowd of suspects and a murder suspect. The story takes a twist as a woman is in jeopardy and psychological torture unfolds. The middle-east, secret past, disguise, and fireworks add intrigue to the plot. Other elements like foot chase, sightseeing, photography, and interrogation are also part of the story.
A migrant tale of sisterhood and music celebrating unconventional friendships and the power of diversity.
Zeno's Conscience is a comedic drama that takes place in Trieste, Italy. It is based on a novel and delves into the themes of psychoanalysis and the turn of the century. The story follows the protagonist, Zeno, as he navigates through amusing and thought-provoking situations.
A coming-of-age story that follows Matias, an Argentine filmmaker in his forties, struggling with an unfinished movie inspired by his elusive first love to Alexander, a Swedish friend he met at an international school in the 90’s. Tenderness and fascination define their strong friendship, which is short-lived when Alexander is suddenly expelled back to his country, leaving young Matias with an unresolved story of undeclared emotions. 25 years later, and Matias decides to reopen Pandora’s box as he embarks on a journey to find the ending to his story by coming face-to-face with Alexander, discovering life imitating art.
Czech immigrant Vesna arrives in Italy and is forced into casual prostitution by poverty. The encounter with a kind construction worker could help change her situation.
This is a world you have never seen before - a world normally hidden under miles of water, the ocean floor. We'll remove the water using CGI animation, revealing a landscape of unimaginable scale with features more dramatic than anything on dry land.
Despite all actions taken in attempt to conquer Trieste, Gestapo forces fail to do so. The surrender of Italian fascist state gives partisans an open way in seizing the power with the help of domicile population.
Nadia is an apathetic 16-year-old girl with no friends of sorts, in or outside school. One day, she takes a walk with local no-good Brando, and the boy rapes her. From that moment on, Nadia's life changes forever.
Albert is an elderly man, a cynic, a choleric, and a racist. He lives in a wheelchair in a spacious flat in Trieste surrounded with his solitude of obsessive memory fragments, in which his unresolved relations with family members reside as he had distanced himself from them long time ago. His only contacts with reality are Ida on one hand, an educated middle-aged lady, who arrives from Istria to Albert's place twice a week to clean up, cook for him and to bathe him, and Albert's looking through the window on the other hand. That day Albert's and Ida's time together starts with Albert's nagging, him being cynical and aggressive. Ida puts up with his horrible communication with dignity and peace, but that ignites Albert's malicious behaviour even more.
In 1909, four fearless entrepreneurs and then-unknown Irish writer James Joyce met in Trieste, the main port of the Austro-Hungarian empire, where he convinced them to expand their cinema business and invest in the opening of Ireland's first full time cinema. The Cinema Volta is not a historical documentary about the opening of a landmark cinema, but a light, spirited and modern personal search for the spirit of the people involved.
In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?
An essay film occupying the ground between narrative, documentary and experimental film-making. It is a work of fragmented histories: of the catastrophes of empire, war, terror and resistance of our times. Its unseen narrator 'encounters' the inhabitants of an undisclosed port city in old Europe as they stroll along a jetty in the melancholy fading light of evening. These meetings are with terrorists, philosophers, writers, photographers, shopkeepers whose subjective accounts and conjecture create a rupture within twentieth century history and beyond.
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