Elisa is a drama that explores themes of sexual initiation, intimacy, and taboo desires. Set in Paris, the film follows the story of Elisa, an orphan who becomes involved with a songwriter and experiences a deep cleavage between her past and her future. As she navigates through the urban setting, Elisa grapples with thoughts of revenge and a search for her father, while also facing the loss of her mother and getting entangled with criminal activities.
Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she'd arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.
When Marta Wendell's institutionalized sister suddenly dies, she suspects foul play. To uncover the truth she gets the job as chief surgical nurse at the hospital.
In 1951, two years after the “scandal” of the Fiamma che non si spegne, Cottafavi got the opportunity to work on a film with a small production company, Novissima Film. With little means, a number of technical and financial problems and working Sundays with the pieces of film given to him bit by bit, Cottafavi shot Una donna ha ucciso, a minor film that marked his comeback to directing. (Gianni Rondolino)
Set in one-day, three people embark together on a car trip from Madrid to Almeria. Antonio (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).
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