A woman, director of advertising films, catches the eye of a mysterious young woman dressed in white during an evening of dancing on the terrace of a bar and is fascinated by her.
Three women leave for a beach holiday. The joy, the carefreeness of days on the beach, lunches on the terrace, lazy afternoons punctuate this "holiday film" which slowly reveals and builds the sensual and playful intimacy of the relationship that binds the protagonists/directors.
Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.
Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).
An experimental short film exploring memory and the search for "the one" in the world of a traveler, The Man with an Eyepatch, and his companion Eye.
A lonely mime takes desperate measures in order to find the audience he deserves.
fragments from song lyrics of different artists have given life to this story about love, loss and desperation.
Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.
Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.
A man is confronted by parallel versions of himself as he contemplates his life choices.
According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.
After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.
An experimental portrayal of being adrift in a daydream.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
A young woman is on the verge of committing suicide when things take an unexpected turn.
Speak To Me Of What I Know is a short experimental film shot on a Super8. The idea of lack of communication is expressed through an intimate relationship, more specifically the men of the film. The themes of miscommunication develop throughout the film in many ways, even the slightest details are there with the explicit goal of adding to the main message. Pay attention to as much as you can, and build your idea of what it's all about. It remains up to interpretation.
A journey through different processes of capturing light using pinhole cameras (pinhole camera in Super 8 format), accompanied by a cassette recorder during the director residency at Nanolab (Daylesford, Australia). It represents a step between the interior and the exterior, between moving forward and going back. It is about the space the director inhabit, the one she walk through and capture over and over again.