A man is torn between two women in war-torn Saigon, as he navigates the brutal world of crime and violence.
Peppermint Candy follows the life of an ordinary man named Yun-su, exploring key moments in his past that led to his downfall. The film tells the story in reverse chronological order, highlighting themes of innocence, regret, and the impact of political events on personal lives.
After the loss of her husband, a doctor travels to Burma and becomes involved in the country's political unrest. Along the way, she encounters danger, escapes from dictatorship, and discovers inner strength.
Getting Straight follows the story of Harry Bailey, a college graduate who becomes a teacher after his discharge from Vietnam. Frustrated by the conservative and oppressive college environment, Bailey rebels against the system, questioning authority, and getting involved in student activism. Along the way, he navigates relationships, love, and the complexities of university life in the midst of the social and political turmoil of the 1960s and 1970s.
Mayerling is a dramatic movie that tells the story of a prince's forbidden love affair, leading to a tragic double suicide. Set in the 1800s, the film explores themes of love, loyalty, and the pressures of royal life.
Wild Tango tells the story of a young philosophy student in Argentina who falls in love with a rock-n-roll musician during a time of student protests and political unrest. Their passionate love affair is tested by the oppressive regime and their own personal struggles, as they navigate through the challenges of forbidden love and the desire for freedom.
Calcutta is a documentary film that delves into the various aspects of life in the city. It explores themes such as poverty, religion, politics, overpopulation, and migration, offering a deep insight into the challenges faced by the people of Calcutta. The film showcases the daily struggles of the residents, the sacred rituals performed, and the social issues prevalent in the city.
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Roma.During a clash between demonstrating laborers (whose fight the students have joined) a policeman and a student are both killed. The investigating magistrate - in charge of the case with two commissioners - wants to believe to the version of the police: the student was killed by one of the laborers, while the policeman would have been killed by Massimo Trotti.
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