Gillian, a witch, falls in love with her neighbor, Shep, but must navigate the complexities of being a witch and choosing between love and her magical powers. As she tries to win Shep's heart, her aunt is determined to make Gillian's life miserable, complicating matters further. Gillian must make a decision that will impact her life and love forever.
When Haruhi suddenly disappears from the world, Kyon must team up with a time-traveling version of herself to unravel the mystery and bring her back. Their journey takes them through alternate dimensions, encounters with aliens, and a race against time. Can they save Haruhi before it's too late?
Awaara is a gripping drama that explores the life of an orphan and his journey from being a street urchin to becoming a notorious criminal. Along the way, he finds love, faces injustice, and grapples with his remorse. Will he be able to escape the life of crime and find redemption? Watch Awaara to find out.
Lost River follows the story of a single mother who enters a dark and enigmatic world as she tries to save her home from demolition. She encounters sadistic and violent individuals along the way, and must navigate through a surreal and twisted landscape.
12:08 East of Bucharest is a satirical comedy that takes place in the Romanian town of Vaslui, exploring the events leading up to the Romanian Revolution of 1989. The film follows three characters - a retiring television broadcaster, a history teacher, and a drunken local grouch - as they discuss whether a certain town named Adrienopolis (which later became the town of Adjud) participated in the revolution or not. The film humorously delves into the struggle for truth and memory. Throughout the film, the audience is presented with conflicting accounts and different perspectives, raising questions about the nature of history and personal narratives.
Baasha is a 1995 action crime drama film about a gangster named Manickam who seeks redemption, protects his family from a crime boss, and confronts his past. The film explores themes of love, resilience, and goodness.
Tale of Tales is a mesmerizing animated movie that explores various themes such as loss, nostalgia, and hope. Through a series of surreal and enchanting scenes, the film takes us on a journey into a world of fairy tales and explores the complexities of human emotions. It delves into the universal experiences of love, death, and longing, while also touching upon the destructive consequences of war and the tranquility that can be found in solitude.
Regular Lovers (2005) is a movie set in 1968 Paris during the May 1968 protests. It follows the story of a group of disillusioned students and their struggles with political protests, love, and personal desires. The protagonist, a young poet, navigates through the turbulent times, questioning his beliefs and trying to find his place in a changing world.
In a small town during a war, the lives of its residents are disrupted when a military operation enters the picture. A bunch of misfits including a secretary-general, patrolman, municipal clerk, and a grocer, get tangled up in a series of chaotic events. The film humorously depicts the political incompetence and absurdity of war.
Kafka never believe in ghost, but somehow he always gets the chance to see the ghost with her medicine basket thinking that she's human.
Sewer is a surreal drama set in a small town where a man mysteriously disappears. The film explores themes of death, eroticism, and surrealism. It follows the journey of various characters as they try to unravel the truth behind the disappearance.
This documentary records Hoaas' personal encounter with the closed society of North Korea. As with her earlier work, Hoaas approaches her film as a cumulation of fragments encompassing different perspectives that together offer a point of entry into a complex society. Her diary-style narration signals her limited personal perspective into this culture, especially given the brief filming period and her difficulty in breaking through the facade of the showcase version of Korea insisted upon by her official guides. Hoaas' restricted visual access, and her reluctance to present over-familiar images of the hardship and depravation informed her decision to use this narrative device to frame her film within the context of the famine crisis that began in 1997 following the failure of crops caused by two consecutive years of heavy flooding.
Wooden knocks are echoing in a frozen landscape when a lonesome man is searching for a tongueling of his own.
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