Halla Bol is a movie about a starlet who rises to fame but faces personal and moral turmoil. She must navigate a complicated mentor-protege relationship, an interfaith marriage, intimidation, and the dark side of the film industry. As she becomes embroiled in a murder investigation involving a corrupt minister and the police, she must confront her own guilt and make difficult choices. The movie explores themes of conscience, moral corruption, and the price of fame.
In Belarus, the totalitarian regime cracks down on all opposition. Anyone criticizing the dictator risks imprisonment and torture. Our film, Belarusian Waltz is on the incredible personal story of the performance artist Alexander Pushkin, who is one of very few who is not scared. Facing grave consequences he organizes public stunts that mock president Lukashenka. Through his art and sense of humour we take a deep dive into the soul of the Belarusian people.
What does it mean to perform socialist ‘agit-prop’ theatre in India in a globalized era of increasing intolerance and inequality? Natak Jari Hai is a documentary about JANAM (The People’s Theatre Front), the little theatre group that never stopped performing in the face of dramatic political transformation and personal tragedy. The film explores the motivations and ideals of the JANAM actors and their vision of resistance and change as they perform their ‘People’s Theatre’ in diverse parts of India. It brings to life the world of socialist theatre through the words of JANAM’s members, and through a reflective portrayal of the group’s greatest tragedy - the assassination of its convenor Safdar Hashmi in 1989.
What does it mean to perform socialist 'agit-prop' theatre in India in a globalized era of increasing intolerance and inequality? Natak Jari Hai is a documentary about JANAM (The People's Theatre Front), the little theatre group that never stopped performing in the face of dramatic political transformation and personal tragedy. The film explores the motivations and ideals of the JANAM actors and their vision of resistance and change as they perform their 'People's Theatre' in diverse parts of India. It brings to life the world of socialist theatre through the words of JANAM's members, and through a reflective portrayal of the group's greatest tragedy - the assassination of its convener Safdar Hashmi in 1989.
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