Stranded on a deserted island, a family of four scavenges for survival as their past unravels, sending them into a downward spiral of painful events.
Viktor Navorski arrives at JFK International Airport, but finds that he is not allowed to enter the United States. Due to a civil war in his home nation of Krakozhia, the US no longer recognizes it as a sovereign nation. Viktor is forced to live in the terminal, carrying his luggage and a mysterious Planters peanut can. He befriends a catering car driver named Enrique and helps him marry a female Customs and Border Protection officer. Viktor also meets flight attendant Amelia Warren, tries to earn money, and gets an off-the-books job as a construction worker. Despite pressure from a CBP head named Frank Dixon to get Viktor out of the airport, Viktor earns the respect of the airport staff. Over time, Viktor reveals that he is in New York to collect an autograph from a famous tenor saxophonist. Eventually, the war in Krakozhia ends, but Dixon still refuses to let Viktor enter the US. Amelia helps Viktor obtain permission, but he is disappointed to learn that she has renewed her relationship with a married government official. Dixon blackmails Viktor to return to Krakozhia, but Gupta, an airport janitor, convinces Viktor to go anyway. As Viktor leaves the airport, Dixon decides not to pursue him. Viktor goes to the city, obtains the autograph, completes his late father's collection, and hails a taxi to go home.
This is a story of the violence and coercion that underlies our modern societies. Most of the time, our interactions are peaceful and consensual, but there is a large notable exception. The state maintains its power and ability to create law by the constant threat of force. It prohibits competition to its authority, and in this sense, represents a monopoly.
Like many Japanese Americans released from WWII internment camps, the young Omori sisters did their best to erase the memories and scars of life under confinement. Fifty years later acclaimed filmmaker Emiko Omori asks her older sister and other detainees to reflect on the personal and political consequences of internment. From the exuberant recollections of a typical teenager, to the simmering rage of citizens forced to sign loyalty oaths, Omori renders a poetic and illuminating picture of a deeply troubling chapter in American history.
Freedom Street (2022) is a documentary that tells the story of 14000 refugees who are trapped in limbo, caught in the crossfire of Australia's stringent border policy and Indonesia's indifference. These stateless individuals find themselves stuck with no resolution in sight, facing numerous challenges and struggles. The movie sheds light on the human rights issues surrounding their plight, showcasing the consequences of policies implemented by governments. Through personal accounts and experiences, it provides a compelling narrative that exposes the harsh realities faced by refugees seeking asylum.
Over 4,000 people who call the United States their home are denied the basic rights and freedoms of citizens due to their statelessness. USSR expatriate Mikhail Sebastian details how this has affected his life and what steps he is taking to fight this legal failure.
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