Amarcord is a dark comedy set in a small town in Italy during the 1930s. It follows a group of friends as they navigate through surreal and humorous situations, including encounters with an older woman, a blind man, and a priest. The film also touches on themes of Italian fascism and the coming-of-age of its teenage protagonist. With its ensemble cast and semi-autobiographical elements, Amarcord offers a unique blend of humor, satire, and social commentary.
When Frosty the Snowman returns to the North Pole, he decides to build a winter wonderland and invites his old friends for a joyful reunion. With the help of a magic hat, Frosty and his friends bring the snow-covered village to life. However, their happiness is threatened when Jack Frost becomes jealous and tries to ruin the wedding. Can Frosty and his friends save the day and create a memorable winter celebration?
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty is an experimental documentary film that weaves together a collage of home movies, found footage, and personal memories. Through a series of voice-overs and title cards, the film explores themes of childhood, nature, family relationships, and the passing of time. The visual style is characterized by sweeping panoramas, close-ups of everyday objects, and a unique blend of light and shadow. It offers a poetic and introspective look into the filmmaker's life and the beauty he encountered along the way.
On March 15, 1848, a young firebrand poet, Sándor Petöfi ignites the Hungarian Revolution with his passionate 'National Song', prompting the Austrians to dispatch a ruthless secret agent to assassinate him and suppress the uprising.
A career-driven woman named Caryn Briggs has a chance encounter with a fortune teller who predicts that she will marry the man of her dreams within a year. As her life takes unexpected turns, Caryn questions the predictions and navigates through the ups and downs of finding true love. With springtime as the backdrop and a series of romantic reunions, Caryn must confront unrequited love, breaking up, and the possibility of a CEO-chief-executive-officer romantic reunion.
A nobleman, posing as a necktie salesman, falls in love with the daughter of a circus puppeteer, even though he is already married to the daughter of his country's war minister.
Invitation (1952) is a gripping drama about secrets and obsession. It follows the story of a wife who keeps a secret from her husband, while he also keeps a secret from her. The plot intensifies when a murder threat arises, leading to a series of events filled with scheming, desperation, and tragic romance. Packed with suspense and emotional turmoil, Invitation takes viewers on a journey through the complexities of human relationships and the consequences of hidden truths.
Afraid of marriage, Simone (Mary Ellis) breaks off her long term engagement with her fiancé Paul de Lille (Tullio Carminati). Paul heads to the top of The Eiffel Tower with thoughts of suicide. In another part of Paris and also afraid of marriage, Mignon (Ida Lupino) breaks it off from her young lover (James Blakely). Despairing, Mignon also climbs to the top of the The Eiffel Tower intending to leap to her death. There she meets Paul and the two compare stories. After discussion, Paul dissuades her from leaping and the two conspire to make their respective partners jealous by pretending to have an affair with each other.
Two destitute New Yorkers meet cute in Central Park and then separate and independently get tangled up with some gangsters only to be reunited again in the end.
Ottilie Van Zandt is forced to wed her cousin, despite her love for Richard Wayne, the gardener's son. Richard leaves, vowing to return a wealthy man and eligible suitor for her. He returns to find she has already married and, in turn, marries another girl on impulse. Two generations later, the grandchildren of Ottilie and Richard, who both have inherited their names as well, meet and develop a close friendship that culminates in the romance that their grandparents began but could not consummate years before.
Mr. and Mrs. Oswald Rabbit are preparing their summer home, confident that winter has ended. Professor Groundhog, unable to see his shadow, predicts several more weeks of cold weather. The rabbit-family and their woodland neighbors choose to disbelieve the groundhog's pessimistic forecast, until suddenly it begins to snow and the forest animals are driven back into hibernation.
Based on the Edgar A. Guest poem of the same name, this is photographic ode to the American South, featuring representative scenery. Mendelsohn's "Spring Song" is the musical theme throughout, and Al Shayne sings an original song based on Guest's poem.
Billy gets into trouble with a couple of cops by littering in the park, and must use all his ingenuity to elude them.
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