Telstar: The Joe Meek Story is a biographical drama film that follows the life of Joe Meek, a gay music producer in 1960s London. The film explores his paranoia, struggles with his homosexuality, and his rise to success in the music industry. However, his mental health deteriorates, leading to a shocking murder-suicide. Telstar delves into Meek's innovative music production techniques, the occult influences on his work, and the vibrant music scene of the swinging sixties.
Bruno and Micky are two young people who abandon their studies to dedicate themselves to song. When Bruno meets Mayte and becomes a fashionable singer, he forgets about his closest friends. But success is short-lived ... One of the most delirious manifestations that Spanish cinema saw of the 'ye-yé' hatching, with an absolutely priceless Micky, half-self-interpreting, like Bruno Lomas and Massiel. The story revolves around the desire to succeed that drives the trio, as well as the romantic relationships established between them. Seen today, it must be as delicious as it is moving, especially considering that it premiered a year before Massiel caused a national earthquake by winning at the Eurovision Song Contest with the famous "La, la, la".
Mariano has three reasons to invite Antonlín Fair to visit Acapulco since the last 50 years. The first one because they were his best friends during high school, the second one because he has serious intentions to find Carmen Madrigal, a woman from Acapulco who was the love of his youth, and the third one he rather not say, but it is the reason he carries a pistol and three bullets in his suitcase.
Set against the backdrop of a 1960s jungle seaport in tropical Australia and the rich concert halls of wintry Vienna, talented eighteen year old pianist Paul Crabbe moves to an exotic outpost of far Northern Australia. There, he is forced to study under the only piano teacher his father can find – the eccentric, enigmatic Herr Keller, a Viennese refugee with a shadowed past. Living above a dilapidated hotel in the dripping heat of this seaport, Keller is known to the locals as 'Maestro', a broken, elegant drunkard. But who is he? Does he come from a lineage of great European pianists, or is he a fraud?
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