When a 13-year-old is accused of the murder of a classmate, his family, therapist and the detective in charge are all left asking: what really happened?
One Cut of the Dead follows a film crew who are attacked by real zombies while shooting a zombie movie. The film, which is shot in one continuous take, reveals the behind-the-scenes chaos and humor as they try to survive the zombie apocalypse.
Captured in a single aerial shot, Cleveen’s proposal to Meghan at a McDonald's drive-thru is interrupted by an eager customer offering help with their order.
Victoria, a Spanish woman, meets a group of friends in Berlin and finds herself caught up in a thrilling night of crime and danger. A heist goes wrong, forcing Victoria to make life-or-death decisions as she tries to navigate the chaotic and dangerous situation. As the night unfolds in real-time, Victoria's life is forever changed.
Utøya: July 22 is a gripping drama based on the horrifying true story of the 2011 Utøya Island massacre in Norway, carried out by right-wing extremist Anders Behring Breivik. The film follows the experiences of a young teenage girl who becomes trapped on the island during the mass shooting, as she desperately tries to survive and escape. With its powerful one-take technique, the movie provides a chilling and immersive perspective of the tragic event.
A livestreamer gets more than he bargained for during a 'walking into random homes' prank he stages.
In a single continuous take, the film explores the history of Russia through a mysterious unnamed protagonist who wanders through the Winter Palace of the Hermitage Museum in Saint Petersburg.
Lost in London is a comedy movie based on a true story that takes place in London, England. The film follows the hilarious misadventures of a man trying to navigate the city in one continuous shot.
The Silent House follows Laura, a young woman, who travels with her father to sell an old house in the countryside. However, once they arrive, strange things start happening, and they soon find themselves trapped inside with no way out. As night falls, they must face their worst fears and uncover the dark secrets of the house before it's too late.
A man wakes up in a Koreatown hallway, naked except for a cock ring and a frilly scarf. Shot in one continuous five-minute take on the Digital Bolex D16 camera, "Coming To" is Happy Canyon Club's Slamdance Grand-Prize-winning short film about picking up the pieces after a meth relapse. It is a story about loneliness, the search for identity, and the difficult choice between safety and happiness.
Beyond the Infinite Two Minutes is a comedic and sci-fi movie that revolves around a tea shop owner who discovers a computer screen that allows him to communicate with himself from two minutes in the future. As he tries to prevent unfortunate events from happening, he soon realizes that changing the future is not as easy as it seems.
In a hairdressing competition, a contestant's murder sparks rivalry and mistrust as the remaining competitors suspect foul play. With a passion for hair and the desire to uncover the killer, they navigate a night of extravagance and excess.
This film is shot in a continuous 78-minute take. The story takes place in a city ravaged by crisis, poverty and crime. The people who remained belong mostly to the low class, and they're struggling to survive through various criminal activities. One of the last prosperous citizens was murdered, and we're following a large cast of characters in their quest to find his corpse. One of the characters has different plans, but he gets involved in the quest against his will.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Blind Spot is a heartfelt drama that explores the life of a person dealing with mental illness and the impact it has on their relationships. Through a long-take approach, the movie delves into the depths of depression, childhood trauma, and the challenges of parenthood. The powerful narrative unfolds in a single-take, showcasing the emotional turmoil and resilience of the main character.
In the midst of the 2016 presidential election, a boy and a girl meet in Los Angeles and embark on a transformative journey throughout the night. As they navigate through personal and political challenges, they discover love and self-discovery.
A teenager overhears a phone call and inserts himself into the father-son story behind it. As this strange 'conversation' develops, two separately wounded lives slowly wind into a double helix of pain, regret, and filial love.
Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.
When a PhD student decides to document a real life sex addict for her dissertation in sex psychology, she becomes much more than a curious observer.