Holler is a coming-of-age drama about a high school senior, Ruth, who is caught stealing from a library and must navigate the challenges of being evicted from her home. She works as a scrapper with her brother, Blaze, and dreams of saving enough money for college. As Ruth falls in love and faces the hardships of living in a dying town, she must make difficult choices that will shape her future.
Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.
In Russia’s unwelcoming north, garages stretch out into endlessness. Behind rusty doors everything can be found, except cars. They are the refuge of the Russian man, the vanishing point out of bleak daily life and a signal of hope for big dreams.
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