Fresh out of prison, a thief must use his locksmithing skills to reconnect with his daughter and ex-fiancé. However, an unexpected disappearance throws his life into chaos.
Shardul Thakur and Suman Singh agree to a marriage of convenience to escape family pressure. However, their plan backfires when Suman's girlfriend joins them, causing chaos in their lives.
Tsugumi Kawana (Hana Sugisaki) works at an interior design company. She happens to meet her first love Itsuki Ayukawa (Takanori Iwata) from her high school days. He is now an architect and in a wheelchair because of an accident. --asianwiki
Never Let Go is a British crime thriller film released in 1960. It tells the story of a man named John Cummings who gets caught up in a car theft ring after his car is stolen. As he tries to track down his stolen vehicle, he discovers a web of organized crime and corruption. With the help of a young boy and a female accomplice, John must navigate through dangerous situations and confront his own fears and limitations.
Terror Nullius is a remix collage film that takes snippets of Australian film and television history to create a political and cultural critique. It explores themes of colonialism, politics, and nostalgia, while also incorporating elements of mythology and eco-horror.
A mining engineer, who is shunned by his peers for his unorthodox beliefs concerning the whereabouts of large uranium deposits, joins forces with a girl and her father to search for the mineral. When the father is hurt in an accident, daughter and engineer continue the project, aided by a Native American guide. Unbeknownst to the group, a reputable citizen of the town, really of low moral value, is shadowing them, his intention to jump their claim.
May 9, 2003 - The Japan Aerospace Exploration Agency (JAXA) launches its unmanned spacecraft Hayabusa into orbit. Its mission is to collect samples from a near Earth asteroid named 25143 Itokawa. Hayabusa is scheduled to make contact with the asteroid in November 2005. As the spacecraft approaches its rendezvous date with the asteroid problems arise for the JAXA staff back on Earth.
A dazzling display of abstracted images.
In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.
Kento Ohashi (Tatsuya Fujiwara) is a novice ion engine developer working on a team that is launching the unmanned Hayabusa spacecraft into outerspace. His father Isao (Tomokazu Miura) was the leader of a previously failed space probe named Nozomi. Now, Kento pursues his dreams and his father's while experiencing the unexpected surprises that comes with the Hayabusa's 7 year odyssey.
An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.
Comprised entirely of hundreds of pirated film samples, Hello Dankness is a bent suburban musical that bears witness to the psychotropic cultural spectacle of the period 2016 to 2021. Set in the American suburbs, the film follows a neighbourhood through these years as consensus reality disintegrates into conspiracies and other political contagions. Part political satire, zombie stoner film, and Greek tragedy, the work is also informed by the encrypted memetics of contemporary internet culture.
In the early 1800s, Prussian geographer Alexander Von Humboldt and French botanist Aimé Bonpland launch an expedition to explore the Amazon region, including the Orinoco River, from Venezuela to the border of Portuguese Brazil.
With some amount of irony, filmmaker Joe Biglin strings together 7 shorts about himself and things that trigger his OCD.
An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". This episode considers the politics implicit in Public Enemy’s claim that we’re already living [in] armaged-don. It begins with the discovery of an ancient stone crosshairs at an archeological site in Egypt. Sixty years later a giant alien mothership emerges from a mena-cing cloud over New York City, hijacking President Ron-ald Reagan’s TV statement in order to transmit a pirate broadcast from Chuck D, Flavor Flav and Sun Ra. Like Sun Ra’s mantra that ‘it’s after the end of the world’, Public Enemy invoke armageddon to insist upon the critical moment in which we already live.
Splicing together footage from the musical comedy Pardon My Sarong (1942) and the TV series Graffiti Rock (1986), Tap Hop stages a dance battle between the pioneering 1980's hip-hop crew the New York City Breakers and the seminal 1940's tap group Tip Tap & Toe.
An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". Destination Planet Rock maps the intergalactic legacy of Sun Ra and George Clinton in the sci-fi futurism of early hip-hop. Set in 1974 in the South Bronx, the episode be-gins in a neighborhood center where Sun Ra is explain-ing his ideas about the intersection of race, myth and outer space. The three future originators of hip-hop—DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash—are abducted and transported across the galaxy to Planet Rock, where they are schooled in the alien language of turntablism.
A famous 83-year-old musician accepts an invitation to hold a concert that could be his last one. In search of the best sample of himself, this acclaimed artist will begin a journey, facing the danger of losing everything, even his life.
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