The Given Word is a powerful drama set in Northeast Brazil, exploring themes of religion, faith, and class struggle. The story revolves around a simple man who promises to carry a cross to a local shrine, embarking on a journey that tests his beliefs and exposes the harsh realities of his community.
Explore the vibrant and diverse street food culture of Latin America, from the colorful markets of Oaxaca, Mexico to the culinary arts of Buenos Aires, Argentina.
After the death of her first husband, Flor marries again but finds herself torn between the memories of her passionate past and the reality of her new marriage. She must navigate her love life with her two husbands and find a way to balance her desires.
Set in Brazil during the military dictatorship, Marighella follows the life of Carlos Marighella, a Brazilian politician and activist who fought against the oppressive regime. The film explores themes of fascism, racial issues, torture, and political oppression. It depicts Marighella's struggle to create a democratic society in the face of a brutal dictatorship.
When a social media influencer's trip to Salvador, Brazil for Carnaval goes awry, she must navigate through a series of mishaps and unexpected encounters while trying to rediscover herself and have a memorable vacation.
Meet Sereia, a young and beautiful singer whose world of fame and fortune is interlaced with envy and hate. Her murder in the midst of carnival shocks the entire country and the hunt for her killer reveals a new suspect with each new day of investigation. Holding the status of a big-budget thriller, the miniseries brings about mysticism, sensuality and suspense that hooks the viewer until the astonishing end.
Captains of the Sands (2011) tells the story of a group of homeless children in Brazil during the 1950s. Set in Salvador, Bahia, the movie explores the challenges and hardships faced by the children as they navigate the streets, poverty, and social outcast. The film delves into themes of survival, friendship, and the quest for identity in a society that often disregards their presence. Through their journey, the children encounter hardships such as incarceration, crackdowns, and the dangers of street life. The movie sheds light on the complexities of their lives and the determination to find hope amidst adversity.
Salvador, 1984. After twenty years of dictatorship, people go to the streets to ask for general elections. This will be a year of transformations for the country and the young Caio.
De lama lâmina (2004) is a video extension of the performance created in collaboration with musician Arto Lindsay during the 2004 Carnival in Salvador. Instead of the traditional trio elétrico (a large mobile sound stage used during Carnival), an enormous tractor, which in the work performs as a kind of float, is accompanied by the Afro bloc Cortejo Afro. Between the wheels of the machine stands Greenman, a hybrid figure, part man, part plant, while outside, a character inspired by an environmental activist climbs the large tree being carried by the tractor. Fascinated by the relationship between seemingly opposing elements, Matthew Barney explores, among other topics, the connection between creation and destruction in both ecological and sociopolitical contexts. The title references two deities of Candomblé: Ossanha, the orixá of plants and vital forces of nature, and Ogum, the orixá of iron and war.
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