Half a century of dictatorship came to an end on April 25, 1974. The main protagonists, and the unfolding of events, are duly and meticulously portrayed. But hundreds, perhaps thousands of episodes of tension and fear, courage and adrenaline, pain and loss, fury and dreams were experienced by anonymous citizens during the intense hours that changed the country.
Set in 1930s Portugal, Pereira Declares follows the journey of a journalist who is faced with a moral dilemma under the oppressive regime of Salazar. As he navigates the complex political landscape, he grapples with his own values and the ethical choices he must make.
In the year 1933, during the dictatorship in Lisbon, Portugal, the film explores the story of a group of artists and actors in the famous Parque Mayer theater. The plot revolves around the challenges they face, including censorship, abusive relationships, and the struggle to express themselves in a repressive regime.
Hipólito is a self-made man, who went up in life in devious ways, and used for profit the social turmoil when Portugal changed from a monarchy into a republic, and then to a military regime. Finally, he is forced into exile. Back in 1935 to family, friends, and lovers, he is in a mix-mesh of lies, and scheming, again.
Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.
A hundred letters written by Portuguese women during the Salazar dictatorship were found by chance in a second-hand bookshop. By confronting today the women who wrote these letters with the ghosts of the past, and revealing important archive material, Letters to a Dictatorship takes us on an in-depth journey through the obscurantism that dominated Portugal for more than 50 years.
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