Congo: White King, Red Rubber, Black Death (2003) is a documentary that exposes the horrifying colonial rule imposed by King Leopold II of Belgium in the Congo during the late 19th and early 20th centuries. It shines a light on the mass murder, forced labor, and genocide committed against the Congolese people in the pursuit of rubber and profit. Through reenactments and historical accounts, the film captures the terror and brutality of this dark period in African history.
College-educated emigre has to get macho when he returns home to the Venezuelan outback.
If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.
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