State of Siege follows the events surrounding a kidnapping in Uruguay during the state of siege imposed by the military government. As a siege mentality develops in the country, an American official joins forces with local police to uncover the truth behind the abduction and the oppressive regime. With themes of dictatorship, guerrilla warfare, and undercover operations, the movie explores the fight against fascism and the corrupting influence of capitalism.
A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.
A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.
The final days of the reign of the Shah: processions of mourning and jubilation, scenes after the fire in the Cinema Rex in Abadan, southern Iran, in which 377 viewers died; the famous interview with the Shah – shortly before his departure at Mehrabad Airport, followed by the acclaimed arrival and first speech by Ayatollah Khomeini; finally the graves of the martyrs of the revolution in Tehran’s large cemetery Behesht-e Zahra. Torabi and his cameramen film euphoric crowds and thoughtful revolutionaries, statesmen and members of various minorities such as Turkmen and Zoroastrians.
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