Benjamin Britten's monumental anti-war oratorio from the Vladislav Hall of Prague Castle in memory of war veterans and victims. British composer Benjamin Britten wrote War Requiem in 1962 on the occasion of the restoration of the war-damaged cathedral in Coventry. He used the traditional, codified Latin text of the requiem – a mass for the dead – interspersed with verses by Wilfred Owen, a British officer who wrote his poems directly in the trenches of World War I. More than two hundred artists then joined their voices in the Vladislav Hall of Prague Castle as part of the Prague Sounds festival for a symbolic performance of the work, which is rarely performed due to its demanding nature and large cast.
This unique document from the 1978 Salzburg Festival has fortunately been released on DVD and is a magical interpretation, prodigiously realized with a sublime fusion of timbres, a cohesion and ultimately, a simplicity that are truly unequalled. Listen as this great conductor produces musical nuisances that are unique to his art and how he accompanies the soloists with understanding and rapport. I have no hesitation in claiming this is one of the great recordings of the century.
Requiem tells the story of a young woman studying music at a university in Germany who begins to experience terrifying seizures and visions. As the exorcism performed on her fails, she is faced with the difficult reality of her mental disorder and the strain it puts on her relationships. This atmospheric film dives into themes of faith, family, and the struggle to find oneself.
The production itself is quite beautiful: recorded in the Basilica di San Marco in Venice in November 2007, it highlights the cathedral's splendor, the reverent audience, the soloists, orchestra and chorus with near-perfect cinematography. The soundtrack is also acceptable, which may have been quite a task to achieve, given the Basilica's over-reverberant acoustics. Alas, the performance itself does not rise to the occasion. Despite the occasional minor insecurity in ensemble and a visible lack of joy, the Symphonica Toscanini musicians play well, the Coro del Maggio Musicale Fiorentino members sing equally well, and the soloists are more than adequate, almost tangibly trying to excel.
Half Moon is a road movie about a Kurdish musician and his band as they travel to Iraq in search of the missing part of his life: a woman who sings while he plays the violin - singing is forbidden for women in Iran. They arrive in a Kurdish village, crossing the border from Iran into Iraq, but they find themselves in the middle of a revolution.
Requiem for Mrs. J is a dark comedy-drama that follows the story of a woman who is contemplating suicide. As she struggles with her decision, unexpected events and encounters with quirky characters change her perspective on life.
Things are not going as Michael had imagined. Not only do his friends let him down, but his family also continue to turn against him. They don't want to believe that he is actually gay. When Michael loses his last shred of hope, there is only one drastic way for him to escape this hell.
The crew of the new American strategic missile submarine "Archelon" is struck by an unknown virus. The command must decide on removing the submarine from combat duty and sending the crew to quarantine.
Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.
Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.
Some neighbors come to the old woman's house and they're shocked that she's dead but then they steal her pieces of stuff.
A group of chickens get played a requiem as they await their final moment in the coup.
An extraordinary performance by the Berlin Philharmonic under the baton of Claudio Abbado, recorded in the Great Hall of the Musikverein in Vienna in 1997 to commemorate the centenary of the death of Johannes Brahms. With soprano Barbara Bonney and baritone Bryn Terfel with the acclaimed Swedish Radio Choir and Eric Ericson Chamber Choir.
Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.
An intimate tale of misguided, troubled, and wildly flawed individuals stuck between the confines of addiction, lust, and self-resentment. Primarily revolving around the friendship between two troubled young men, this film gives a disturbing glimpse into the lives of various small-town delinquents and how their destructive lifestyles intertwine.
Live performance of Verdi's Missa da Requiem at the Edinburgh Festival in 1982. An all-star quartet of soloists under the baton of Claudio Abbado, recorded in high definition audio.
Maria is a mother who, after the departure of her son, faces loneliness and the imminent loss of memory and her conception of time.
José Carreras and the Sarajevo Philharmonic Orchestra player form Mozart’s Requiem in the bombed out ruins of the Sarajevo city Library.
Documentary about the entire process that keshi had to create his second album, Requiem.