Identical twins Annie and Hallie, separated at birth and raised by different parents, meet for the first time at summer camp. They discover their twin connection and devise a plan to reunite their divorced parents.
Guinea Pig Part 4: Devil Doctor Woman (1986) is a Japanese comedy-horror film that follows the story of a mad doctor who turns into a devil woman. The movie is known for its extreme gore, violence, and shocking scenes, including skinned alive victims and exploding heads. It is the fourth film in the Guinea Pig series and was released in 1986.
When Martin Luxford (Hugo Speer) leaves jail, he decides to form a swing band, having been taught to play the saxophone by his cellmate Jack. Returning to his native Liverpool, Martin pulls together a backing band of misfits and loners, and recruits his ex-girlfriend Joan (Lisa Stansfield) as a singer. Things are complicated somewhat by the fact that Joan is now married to the policeman who arrested Martin, and when the band's first gig - at a heavy metal pub - goes badly, it seems as though the road to musical success may be a rocky one.
The Sunlit Night follows young painter Frances as she travels to Norway to work on an art project in a remote village. Along the way, she navigates her own personal journey of self-discovery, finding inspiration and new perspectives amidst the stunning landscapes of Lofoten. Through her interactions with the locals and fellow artists, Frances learns about love, loss, and the power of embracing one's true artistic self.
In 'The Oscar,' a struggling actor becomes desperate to win an Academy Award, even if it means sacrificing his morals and relationships. As he climbs the ladder of success, he discovers the dark underbelly of Hollywood, including backstabbing, manipulation, and betrayal. His journey ultimately leads to a tragic downfall, exposing the ruthless nature of the film industry.
A struggling independent filmmaker finds himself in debt and desperate for a comeback. He comes up with a plan to make a satirical comedy film about a war monger and a pacifist conjoined twins who are forced to work together. As he navigates through the challenges of making the film and dealing with his own personal issues, he learns valuable lessons about loyalty, father-daughter relationships, and the complexities of the film industry.
After the American Civil War, a former Union Army officer becomes a deputy sheriff in a town on the Mexico-Arizona border. When a gang of bank robbers arrives in the town, the deputy sheriff, fueled by a desire for revenge, sets out to bring them to justice. Along the way, he forms unexpected alliances and confronts his own demons.
An American anthropologist and his son benefit from their experiences with an East African tribe.
This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.
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