Eiji Kitahama joins the drama club with dreams of having a harem like the ones from his favorite manga. Rin Nanakura, an underclassman, finds herself crushing hard on Eiji, and tries on different personas in his presence to win him over. No matter how she acts, one thing is certain—her feelings for Eiji continue to grow stronger. Will she ever be able to tell him the truth and be herself?
A timid high school girl becomes friends with a popular boy in her class who helps her overcome her social anxiety and discover her true self.
In order to win over a tough dramatist at her next audition, a young actress turns to method acting to such an extreme that she slowly loses herself in the coveted role of a promiscuous bisexual self-destructive wild girl and starts sleeping around, provoking fights and cutting herself. Can she pull herself back from the edge of the abyss before it's too late?
Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.
In a mental institution the patients see themselves as people like Jesus, Lázaro, Marta, Maria, Adão, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.
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