Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.
In a strange, dark asylum, a brilliant physicist with no memory, sits incarcerated. One thing occupies his mind: escaping - to what or where, he has no clue. Haunted day and night, by creatures that roam the halls - or his imagination, he scribbles equations on every surface of his his cell. Not knowing whether he is insane, or on to something truly groundbreaking, every combination of symbols etched onto the walls might be the key to his escape, or just his madness laughing back at him. One day he has a breakthrough.
Lucy, a self-styled teenage rebel, wants to leave the painful, boring world of her high school and suburb behind. She decides to run away with Sheila, her photography teacher, with whom she has a secret relationship - without realizing that Sheila might not share her vision of this perfect escape.
Poodles loses a job working at a car dealer so he gets a job working for the Hardly Able Cab Company. How he got from driving a cab to fighting with a horse is an odd and contrived situation, though the horse appears to be his co-star from CIRCUS DAZE.
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