Apples is a movie that explores the themes of memory and amnesia. The story follows a character who experiences memory loss and tries to regain his memories through various tasks and encounters. Apples uses the symbol of apples to represent the fragility of memory and the desire for remembrance. Through scenes of dancing, funerals, and grocery shopping, the movie delves into the complexities of memory and the human experience.
Fill the Void is a drama and romance movie released in 2012. It tells the story of a young woman in an Orthodox Jewish community who is faced with the responsibility of filling the void left by her sister's sudden death. As she navigates her own desires and the expectations of her family and community, she must make difficult choices about her future. The movie explores themes of love, duty, and the challenges of tradition.
Just Friends? is a movie that explores the struggle of two closeted soldiers in the Korean military who develop a secret romantic relationship while navigating societal pressures and their own personal fears. Through their journey, they discover the true meaning of love, friendship, and the importance of staying true to oneself.
Loggerheads is a drama that weaves together three interconnected stories of lost love and redemption. The film explores themes of forgiveness, abandonment, and the power of connection. Set in Wilmington, North Carolina, it follows the lives of various characters including a drifter, a gay couple, and a mother searching for her son. The film touches on issues such as unemployment, gay themes, and the struggle for acceptance.
The teacher Antek Liebmann moves to the French countryside to leave his former life in Germany behind. He soon gets a job and finds himself in a new relationship...
Eric is forced to spend his holidays on his grandfather's farm in the countryside. Bored out of his mind, an unexpected visit from over-the-top friends Mika and Koko, and the appearance of a hunky farmhand, pull Eric out of the doldrums.
Betty Boop and Pudgy, doing the spring planting, are plagued by crows.
The film begins with a series of events on a crowded outdoor market street. Women on stages perform "private" rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their "work." She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn't able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. Can we hold a knife without stabbing ourselves? Can we hold a knife without even thinking of doing that? And do we need knives?
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