Living in Your Car is a Canadian television comedy-drama series that debuted on May 7, 2010 on HBO Canada. The series stars John Ralston as Steve Unger, a former high-flying corporate executive struggling to rebuild his life after being indicted on fraud, obstruction and racketeering charges. Legally forbidden to hold any job dealing with other people's money, he finds himself ordered to teach a business ethics class — and is forced to live in his car when his wife won't let him back into their home. The series was created and principally written by George F. Walker, Dani Romain, and Joseph Kay.
Brynn, a seamstress mourning the loss of her mother and best friend, must confront her anxiety and battle an alien intruder in her home. As she tries to escape, she accidentally stabs the alien in the head and discovers that all electronic devices are useless. She encounters possessed individuals, fights off more creatures, and faces hallucinations and intense memories. Eventually, Brynn is left alone in an undamaged home while the rest of the town falls under the control of the aliens.
Special Agent Will Trent was abandoned at birth and endured a harsh coming-of-age in Atlanta's overwhelmed foster care system. Determined to make sure no one feels as he did, he now has the highest clearance rate.
The Scarlet Letter is a 1979 miniseries based on the novel of the same name that aired on WGBH from March 3, 1979 to March 24, 1979. The series is four episodes long, 60 minutes each. Part 2 won the 1979 Emmy Award for Outstanding Video Tape Editing for a Limited Series or Special for film editors Ken Denisoff, Janet McFadden, and Tucker Wiard. In 1979, when most literary programs were being produced in the United Kingdom, Boston public television station WGBH decided to produce a homegrown literary classic of its own. The result is this epic version of Nathaniel Hawthorne's enduring novel of Puritan America in search of its soul. Hester Prynne overcomes the stigma of adultery to emerge as the first great heroine in American literature. Hawthorne's themes, the nature of sin, social hypocrisy, and community repression, still reverberate through American society. Meg Foster brings a quiet strength to the role of Hester, the adulteress condemned to wear a scarlet "A" for the rest of her life. As her partner in crime, the Reverend Arthur Dimmesdale, John Heard writhes in private torment most convincingly. Kevin Conway completes this grim triangle as the mysterious, maleficent Roger Chillingworth. The costumes and scenery are simple, so as not to detract from the dialogue as each character grapples with the meaning of sin, forgiveness, and redemption.
Welcome to the Dollhouse is a dark comedy that follows the life of Dawn, a socially awkward and unpopular girl in middle school. She faces constant bullying and humiliation from her peers and struggles to find her place in the world.
In a crime-infested suburb of Rome, a gentle dog groomer finds himself forced to do violent acts when his life is threatened by a former violent boxer who terrorizes the entire neighborhood.
Hidden Away tells the story of Rafa, a teenage boy who is struggling with his identity as a gay individual. He meets and falls in love with a fellow student named Ibrahim, but they must keep their relationship a secret due to societal prejudice. Rafa also deals with challenges such as xenophobia, drug dealers, and the fear of deportation. As the story unfolds, Rafa learns the importance of friendship and self-acceptance.
One Kiss is a coming-of-age drama about a gay teenager whose life is turned upside down when he develops feelings for the new boy at school. The film explores themes of love, acceptance, and overcoming personal struggles in a society plagued by homophobia.
In a small village in Ireland in the 1910s, a village constable's mute daughter enters into an adulterous relationship with a British soldier, leading to a love triangle and tragic consequences.
Center of My World tells the story of a gay teenager named Phil who navigates through the complexities of his dysfunctional family and his own identity. As he explores his feelings for new boy Nicholas, Phil must confront his own insecurities and the betrayal that surrounds him. This German film adaptation of a popular novel delves into themes of love, acceptance, and self-discovery.
During World War Two, five women, branded as partisans by the German army, must band together to survive in a mountain village in Yugoslavia. They face constant danger and persecution as they navigate the realities of war and their own personal struggles.
Synoikia to Oneiro is a drama set in Athens, Greece in the 1960s. It follows the story of a social outcast who is released from jail and seeks to find hope and redemption in his impoverished neighborhood. The film explores themes of poverty, family relationships, dreams, and the struggle for a better future.
Wanting to provide for her daughter, a 25 year old mother travels from her UK home of Canvey Island to get into porn in America having done some UK videos. The documentary follows her journey further into the business and watches as she comes under a variety of influences.
In the wake of their father’s death, two children gradually come to realize the perverse nature of their upbringing.
TV-movie version of the Victor Hugo novel.
Three Post Office employees are at work when the facility is held up. The robber kills the supervisor and knocks out another employee. The third one offers no resistance and survives unscathed. Afterwards he begins to wonder if his refusal to resist was a prudent move to preserve his family, or an act of cowardice, as many in the town believe. The resulting conflict begins to tear apart his family.
The Saddest Boy in the World follows the life of a young boy who feels like an outcast in his community. He battles with feelings of sadness and loneliness, and even contemplates suicide. Through a series of events and encounters, he learns that he is not alone and discovers a glimmer of hope.
Elizabeth bristles at the religious directives of her parents, asserting her right to personhood outside demure hairstyles and turkey dinners, constructing voodoo dolls and entertaining other manners of dark drawing in her dank emo-den. When confronted with the humanity and hypocrisy of her tormentors, the young antihero vanquishes their belief systems (and bodies) asserting, "You killed me first!"
In a small Greek town, a carpenter finds himself entangled in a drug trafficking conspiracy after being released from prison.