In Skinny Tiger, Fatty Dragon (1990), two police detectives, one skinny and the other fat, are forced to work together to bring down a powerful crime syndicate in Hong Kong. Their clashing personalities and different approaches to law enforcement make for a hilarious and action-packed adventure filled with gunfights, martial arts, and comedic moments. Along the way, they face sexual harassment, encounter a transvestite thief, and navigate through a series of dangerous situations. Will they be able to put their differences aside and catch the criminals?
Set in a 19th-century orphanage, a young girl named Rose discovers the true meaning of Christmas when she receives a special gift - an orange. Alongside her friends, she learns the importance of hope, happiness, and the power of a caring community. However, their joy is threatened when a deadly influenza outbreak strikes, testing their resilience and determination.
Wild Oranges is a suspenseful silent film that takes place on a remote island off the coast of Georgia, USA. The story follows a recluse ships cook, who becomes involved in a romantic rivalry and must confront his own fears and the control exerted by others. As tensions rise, the cook is faced with a series of dangerous situations, including rape threats, knife attacks, and murder. Amidst this turmoil, he falls in love with a woman bound and gagged, and together they must find a way to escape the clutches of their captors. As the plot unfolds, secrets are revealed, leading to a heart-stopping conclusion.
Peel is a 1982 Australian movie about a dysfunctional family who embarks on a road trip across the country. The movie explores themes of family relationships, discipline, and the challenges faced by a dysfunctional family. The story revolves around the father-son and brother-sister relationships, as well as their encounters with various situations during their journey.
Cross Creek is a movie set in 1930s Florida, based on the memoir of a writer who moves to a rural setting to find inspiration and faces various challenges including a marriage proposal, a divorce, and conflicts with his publisher.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
When the girls on campus learn that Tom Drake is so super-shy that he never kissed a girl, they begin betting which one will kiss him first. So the girls line up to try to get their lips on him. However, in this and subsequent scenes, crazy stuff keeps happening to prevent him from getting that kiss.
After his friend asks for it, a man goes on a quest to get him an orange.
In 1987 a disillusioned door to door orange salesman horrifically murders his first victim. Move forward 27 years and a land developer is buying an orange grove. He and his 3 friends plan a fishing trip to get his head around the pending transaction, unbeknownst to them, his estranged wife and her new boyfriend have also chosen the very same location for a break. The usual strange noises and unnerving situations ensue when they congregate at a secluded cabin, as The Orange Man eliminates them 1 by 1 with the aid of his prosthetic hook and a bag of oranges!
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
This visually striking short film from director Kate Morrison combines exquisite production design, precise cinematography and committed performances to create an unsettling and surreal scenario that explores the inherent advantage art students from wealthier backgrounds have over those from low-income households in their ability to realise their full creative potential.
In the age of in-between, Emily is offered acceptance by betrayal.
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