In ancient China, a group of warriors known as the Seven Swords come together to protect their country from an evil force. With their skills in sword-fighting and martial arts, they embark on a dangerous journey filled with battles, betrayals, and epic showdowns.
In this dark and unsettling movie, a girl's nightmare comes to life as she experiences a series of bizarre and frightening events. The film explores themes of fear, dreams, and the subconscious mind through its haunting visuals and operatic singing.
Agripino and Sandoval roam around their workplace, Machiavelli Incorporated, a venture which they plan to expand whatever the costs.
June never leaves her apartment, which has a view of an advertising sign of a knight in shining armor. She is two weeks behind in her rent and believes that if she leaves the apartment, the landlord will never let her back in. The only way she gets food is when her friend, singer Earlayne Schools, brings it to her. One evening June sees Hal, a tap-dancing sign painter, painting over her knight. She explains her predicament, and he does his best to help her out.
While an opera singers sings in a snowy and cold street, we are allowed to witness a meeting between a man and a woman through blowing net curtains. The music is touched by sadness and the emotions of the characters are no different. Nearer they become while the singer sinks deeper into the melancholy.
Jack Bunny (a spoof of Jack Benny) invites Hollywood celebrities to his Malibu house for a party.
Scenes from Ruggero Leoncavallo's opera with Canio, the clown, introducing actors who are seen in pantomime while the operatic voices are heard off-screen. Canio discovers his wife has been unfaithful but carries on with his performance.
In a world where thinking is forbidden, a rebellious group of activists fights against a totalitarian regime. As they delve into the depths of insanity and explore the limits of the human mind, they discover the true power of 1s and 0s.
Tosca returns to the Teatru tal-Opra Aurora in a completely new production, under the direction of the renowned Vivien Hewitt, following the recent successes of 2011 (Aurora's own production) and 2014 (a Gaulitanus chorus production). Attracting the greatest names in the opera world since its first performance in Rome in 1900, Tosca 2011 brought the Aurora its largest ever international cast, featuring soprano Michele Crider, tenor Neil Schicoff, and baritone Juan Pons. This time, the Aurora has made a point of enhancing the star-quality element in the cast beyond just the three leading roles. It is with pleasure, and a good dose of enthusiasm, that we announce our stellar cast, composed of Amarilli Nizza (Tosca), Stefano La Colla (Cavaradossi), Marco Vratogna (Scarpia), Frano Lufi (Angelotti), Matteo Peirone (Sacristan), Cliff Zammit Stevens (Spoletta), Joseph Lia (Sciarrone), and our own Mattia Grech (Shepherd Boy).
A confused and tormented young man (known only as 'The Patient') relates his dreams and memories to a mysterious and sadistic doctor. As The Patient dives deeper into his mental landscape he discovers a shocking truth.
This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg's "German Trilogy" on the mythological foundations of the Third Reich.
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