When an Ad Exec's husband suggests a third in their bed to spice up the marriage, she invites her female trainer. However, she soon realizes that the trainer is insane and seeking revenge for a past event. The protagonist must find a way to stop the woman and prevent her from ruining their lives.
She's a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three.
Margarita is found, naked and bloody in a luxurious house and is promptly taken to a mental institute. The doctors and nurses meant to take care of her aren't exactly who they seem and a mysterious figure, clad in black, circles the premise at night, offing nubile young women.
A couple invites Shannon for the company with them to take part in immersing themselves in virtual reality. She experiences a fantastically believable illusion of sex with Roger. And after that they both have an irresistible desire to do it in reality.
Sexuality without pretense gives the wallop to Events. A dramatic street story of young runaway flower-kids in the Greenwich Village of 1968, it raises ethical questions while the screen explodes with erotica."EVENTS is without question, the most far-out sexually experimental film made in the sixties or seventies."--Bruce Williamson, Playboy
The father, Corrado, is a worker who left his peasant roots in southern Italy and moved to Genoa to find employment a worker. His son, Gabriele, is neurotic and feels a sense of rage for which he can find no outlet. Despite the strength and dignity with which he has met the difficulties in his life, Corrado doesn't know what to do when faced with his son's problems.
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