Set in 1920s Ireland, 'The Wind That Shakes the Barley' follows the story of two brothers who join the Irish Republican Army to fight against the British occupation. As they become involved in guerrilla warfare and underground activities, their loyalty is tested and they face the harsh realities of war. The film explores themes of nationalism, oppression, and sacrifice.
To make some easy money, Stamatis rents Chroni's house to his womanizer boss Soultanoglou but also to his other boss's wife, Dora, who decided to cheat on her husband ... So, Chroni's house turns into a double love nest for cheating couples, without him having any clue.
In this stylish and offbeat black comedy, Benito ( Jerry Calà) keeps a diary of his sexual fantasies and cravings. As a result of his on-again, off-again relationship with the beautiful and insatiable Luigia (Sabrina Ferilli), his thoughts along these lines have grown increasingly bizarre. For his own part, he is driven to pick up and bed women at almost every opportunity. As the fantasies recorded in his diary consume more and more of his life, and grow darker and darker, his ordinary waking life becomes flatter and duller, until he disappears altogether.
Palestine Is Still the Issue is a thought-provoking documentary that delves into the ongoing Palestinian-Israeli conflict, shedding light on the struggles of refugees, the impact of occupation, and the use of suicide bombings as a form of resistance. Through interviews and firsthand accounts, the film provides an insightful and comprehensive overview of the complex issues surrounding the conflict. With a focus on the 2002 Intifada, it highlights the unresolved nature of the problem and the urgency for a peaceful resolution.
After breaking up with her boyfriend Daniel, Anna just wants to hole up somewhere and recover. But she should have had a closer look at the fineprint of her rental contract – for the old Viennese appartment it is a creature with never ending appetite, living off the youth of its residents. There is no escaping it anymore when Anna faces herself in the mirror as an old lady. Unless she deliveres a new victim…
An entire social microcosm lies hidden in plain sight in a decrepit Athenian courtyard of a humble mid-1960s neighbourhood. Love, desire, and deceit are all vital components of this little machine; nevertheless, is dreaming for everyone?
Marta leaves the orphanage and goes to her hometown. The flat left by the girl's parents is occupied by the girl's relatives.
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