Samsara is a non-narrative documentary that takes the viewer on a visually stunning journey across different countries and cultures, exploring themes such as modern life, balance, art, and spirituality. Using breathtaking aerial shots and stunning cinematography, the film provides a unique perspective on the diversity and interconnectedness of the human experience.
Koyaanisqatsi is an experimental film that takes viewers on a mesmerizing journey through time-lapse photography, showcasing the beauty and destruction of the modern world. Through stunning aerial shots and captivating scenes of city life, the film provides a thought-provoking commentary on the impact of technology and urbanization on our environment.
Chronos is a non-narrative poetic documentary that takes viewers on a mesmerizing journey through various ancient temples, cities, and artworks, while also capturing the hustle and bustle of modern life. With stunning time-lapse photography and beautiful ambient music, Chronos invites its audience to contemplate the mystery and wonder of time.
Naqoyqatsi is a non-narrative documentary film directed by Godfrey Reggio. It is the third and final film in the Qatsi trilogy, following Koyaanisqatsi and Powaqqatsi. The film uses slow-motion and time-lapse footage, as well as stock footage, to explore themes of nature, technology, and violence. It presents a visually stunning and thought-provoking journey, highlighting the impact of human activity on the planet and the consequences of our actions.
Powaqqatsi is a non-narrative documentary film that observes the impact of industrialization, poverty, and progress on various cultures and the environment. Through stunning visuals and poetic imagery, the film delves into themes of tradition, ritual, human spirit, and the effects of technology on society.
The Image Book is a non-narrative film that delves into the history of cinema, art, and human existence. It combines various visual and audio elements such as archival footage, literary quotes, and references to create a poetic and thought-provoking exploration of the medium.
Symbiopsychotaxiplasm: Take One is an experimental film set in Central Park, Manhattan, New York City. It explores the complexities of filmmaking and features a cast and crew arguing. The film-within-a-film concept and the use of split-screen are central to the narrative.
Mysterious Object at Noon tells the story of a small town that is thrown into chaos when a mysterious object appears. The film follows different characters as they navigate through a series of unexpected events and encounters. With elements of documentary and fantasy, this film explores themes of identity, storytelling, and the power of imagination.
Walking is a short animated film from 1968 that explores the act of walking in a surreal and non-narrative manner. There is no dialogue in the film, and it focuses on the technique of walking while incorporating elements of surrealism and psychedelia. The film features various characters, including an old man, an old woman, and a young adult, all of whom showcase unique styles of walking. At times, the animation also portrays running and a humorous depiction of a penis. Overall, Walking is a visually captivating and unconventional exploration of the simple act of walking.
Wind from the East is an avant-garde movie that explores class struggle and the revolutionary movements of the 1960s. It uses experimental narrative techniques to critique capitalism and cultural imperialism. The story follows left-wing radicals who engage in political activism and self-management, culminating in a strike and a makeshift bomb explosion.
Empire is a documentary movie that captures the Empire State Building in a single uninterrupted shot. The film is an unedited and slow-paced exploration of the iconic New York City landmark.
A Journey takes viewers on a mesmerizing journey through various landscapes and experiences, using stunning cinematography and a non-narrative approach. The film captures the essence of nature and the human spirit, highlighting themes of mindfulness, spirituality, and the interconnectedness of all things.
From the East is a non-narrative documentary set in post-Soviet Russia, specifically in rural areas. It provides a unique glimpse into the working-class life, showcasing scenes of everyday activities such as potato harvesting, cello recitals, and long queues. The film captures the essence of the 1990s in Eastern Europe through its observational approach and 360-degree panning shots. With no dialogue and an abrupt ending, From the East immerses the audience in the atmosphere of the time and place.
The fauna of the megalopolis, the jungle of the supermarket, the bedlam of brothels and bars, the effect of the bars in the fog, the swaying ears of corn, the swaying of men hanging from the gallows, the ripple of water – seen by the eye of the animator…
Chafed Elbows is a non-narrative art film that follows the absurd and chaotic life of a young man named Dingbat. The film explores themes of incest, murder, police brutality, and racial slurs, while also delving into Dingbat's relationships with his mother and cousin. Through a series of interludes and bizarre situations, Dingbat navigates a world filled with vegetarianism, Ku Klux Klan, and the afterlife. Chafed Elbows is a unique and unconventional cinematic experience.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.
A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.