Robert Armstrong stars as Scoop Adams, an ace newsreel cameraman whose love affair with the bottle all but destroys him professionally. Scoop manages to get his photographer pal Dick (Richard Cromwell) fired as well, but he promises to restore Dick's reputation, some way or another. He gets his chance while covering a dirigible wreck (some three years before the Hindenburg), saving the day for both Dick and himself.
Bob Adams, ace newsreel cameraman, is told by his boss, "Get the picture---we can't screen alibis." He heads for Samari, a desert hot-bed of tribal unrest in Africa, to do just that, which includes getting footage of El Kadar, bandit and rebel leader. He gets his pictures but only after a romance with the Colonel's daughter Pamela, saving his wimpy, hacked-off brother Don from being a dupe of the gun-runners, and run-ins with spies and throat-cutting tribesman. For a finale, he saves the British Army.
Chills and spills in the fast-paced world of motorcycle racing.
Brown of Harvard is a pre-code drama film set in the 1920s at Harvard University. It revolves around the intense rivalry between Harvard and Yale, fueled by jealousy, arrogance, and brashness. The film explores themes of competition, reprisal, retribution, vindication, and redemption. Through the journey of its protagonist, the movie portrays the transformation of a college student from a haughty and arrogant athlete to a mature individual. It also captures the spirit of the roaring 20s and the prohibition era. Brown of Harvard is based on a novel and features newspaper reporters and their stories, adding an element of drama and intrigue. The film also explores themes of gay interest and includes a college fraternity setting.
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