Movies and TvShows featuring "music-sampling" theme.

This documentary chronicles the rise, fall, and rise again of the soft rock epitomized by artists such as Christopher Cross, Michael McDonald, Kenny Loggins, Steely Dan, and Toto in the late 1970s and early 1980s. Retroactively dubbed "Yacht Rock," the easy-listening genre came to be gently mocked and even dismissed by rock lovers and critics. However, it has since reclaimed its place in music history and is celebrated in this groove-infused film.

The Ballad of Genesis and Lady Jaye is a documentary about the love story between Genesis P-Orridge, a British musician and writer, and Lady Jaye Breyer P-Orridge, an American musician and performance artist. The film explores their unique relationship, which included a project to physically merge their identities through cosmetic surgery. It delves into their work in the avant-garde music scene, their exploration of gender and identity, and the impact they had on counterculture movements. Through interviews and archival footage, the film paints a portrait of two artists deeply in love and committed to pushing the boundaries of art and love.

Terror Nullius is a remix collage film that takes snippets of Australian film and television history to create a political and cultural critique. It explores themes of colonialism, politics, and nostalgia, while also incorporating elements of mythology and eco-horror.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

Method Sampling is explored through the works of a hip-hop orchestra, a disabled choreographer, a self-taught Black mycologist, a tiny house builder and a critical theorist.

01 Wake Me Up Before You Go-Go - Wham 02 Girls Just Want To Have Fun - Cindy Lauper 03 Wishing Well - Terence Trent D´Arby 04 Let´s Groove - Earth, Wind&Fire 05 Through The Barricades - Spandau Ballet 06 Total Eclipse Of The Heart - Bonnie Tyler 07 My Favourite Waste Of Time - Owen Paul 08 (Feel Like) Heaven - Fiction Factory 09 Oh Julie - Shakin´ Stevens 10 Eternal Flame - Bangles 11 Africa - Toto 12 It´s Raining Men - The Weather Girls 13 99 Luftballons - Nena 14 Precious Little Diamond - Fox The Fox 16 Tribute (Right On) - The Pasadenas 17 You Spin Me Round (Like A Record) - Dead Or Alive 18 The Promise You Made - Cook Robin 19 All Cried Out - Alison Moyet 20 Hold On - Santana 21 The Power Of Love - Jennifer Rush 22 Something´s Jumpin´ In Your Shirt - Malcolm McLaren&The Bootzilla Orchestra (feat. Bootsy Collins&Introducing Lisa Marie) 23 Take Me Home Tonight - Eddy Money 24 Love Of The Common People - Paul Young 25 etc...

Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.

Hollywood Burn is a documentary film that delves into the history and consequences of video piracy in Tinseltown. Through a collage of film clips and archival footage, the movie showcases the rise of video piracy and its effects on the film industry. It examines the legacy of piracy and its impact on both the art of filmmaking and the economy of Hollywood. With a blend of nostalgia and critical analysis, Hollywood Burn paints a comprehensive picture of the controversial topic.

Comprised entirely of hundreds of pirated film samples, Hello Dankness is a bent suburban musical that bears witness to the psychotropic cultural spectacle of the period 2016 to 2021. Set in the American suburbs, the film follows a neighbourhood through these years as consensus reality disintegrates into conspiracies and other political contagions. Part political satire, zombie stoner film, and Greek tragedy, the work is also informed by the encrypted memetics of contemporary internet culture.

This documentary explores the rise of Depeche Mode, the challenges they faced as teenagers in the 1980s, and their reflections on bad government and societal issues. With a focus on their synth-pop music and music-sampling techniques, it delves into their journey and impact on the 20th-century music scene.

Since its inception in 2000, Definitive Jux has been synonymous with progressive, creative, intelligent, and downright thrilling hip hop. Now, The Revenge of the Robots DVD captures label mainstays El-P, Mr. Lif, RJD2 and others during their acclaimed, sold-out "Revenge of the Robots" 2002 tour - a fascinating view for longtime fans and new converts alike.

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". We are the Robots re-imagines the iconic scene in the film Close Encounters of the Third Kind (1977), where sci-entists use a synthesizer keyboard to communicate with an alien mothership. In Soda_Jerk’s revision of these events, Kraftwerk play sequences from their own music and the mothership responds with frag-ments of tracks that have sampled Kraftwerk. This jam session– between the original and sampled ver-sions of Kraftwerk’s music–explores the impact of German electronic music on Afrofuturist sonic culture.

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". Race for Space gives life to Sun Ra’s claim to have been abducted by aliens who schooled him in the radical potential of music. While working as a piano man in Chicago in 1943, Sun Ra is contacted by Morpheus who offers him a choice of two destinies. Flashing forward to the 1969 moon landing, Neil Armstrong discovers that outer space has already been colonized by Sun Ra and his intergalactic ensemble, The Arkestra. At stake in this episode is the cultural politics implicit in the territorialization of outer space, both as a geography and a virtual field of possibility.

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". This episode considers the politics implicit in Public Enemy’s claim that we’re already living [in] armaged-don. It begins with the discovery of an ancient stone crosshairs at an archeological site in Egypt. Sixty years later a giant alien mothership emerges from a mena-cing cloud over New York City, hijacking President Ron-ald Reagan’s TV statement in order to transmit a pirate broadcast from Chuck D, Flavor Flav and Sun Ra. Like Sun Ra’s mantra that ‘it’s after the end of the world’, Public Enemy invoke armageddon to insist upon the critical moment in which we already live.

Splicing together footage from the musical comedy Pardon My Sarong (1942) and the TV series Graffiti Rock (1986), Tap Hop stages a dance battle between the pioneering 1980's hip-hop crew the New York City Breakers and the seminal 1940's tap group Tip Tap & Toe.