In Exorcist II: The Heretic, a teenage girl with repressed memories, Regan MacNeil, is sent to Africa for psychotherapy. There, she becomes the target of a demonic possession and is connected to the events of the first film, The Exorcist. As Regan's possession worsens, a priest, Father Lamont, is tasked with investigating her case and uncovering the truth behind her past. The film explores themes of good versus evil, religion and supernatural forces, guilt, and crisis of faith. It is set in the 1970s and takes viewers on a surreal and supernatural journey.
How to Steal a Million is a charming heist comedy set in Paris in the 1960s. Nicole Bonnet, a young woman, discovers that her father is a master forger and her family's art collection is on display at a prestigious museum. To protect her father and his reputation, Nicole teams up with a suave burglar named Simon Demarest to steal a valuable art statuette before it can be exposed as a forgery. As their plan unfolds, they encounter numerous obstacles, including a bumbling detective and a nosy photographer. With wit, romance, and plenty of laughs, How to Steal a Million is a delightful caper filled with twists and turns.
Rory MacNeil, a tough Scotsman, travels to San Francisco to seek medical treatment. Along the way, he discovers the importance of family and learns to let go of the grudges holding him back.
In 'Cry Wilderness,' a schoolboy forms an unlikely friendship with Bigfoot and together they must stop an evil biker gang from destroying the forest. Along the way, they encounter native American folklore, dangerous wildlife, and uncover a hidden mine shaft. Can they save the day and protect their family relationships?
A safecracker named Webster orchestrates an elaborate heist to steal valuable jewelry from a high-society masquerade party, facing challenges such as car chases, surveillance, and corrupt officials.
In the wake of World War II, most Germans have been raised with the mistaken belief that the Holocaust had been planned and executed by just a tiny minority of Nazis, namely, the Gestapo and the SS. The sad truth, however, is that Hitler's philosophy of ethnic cleansing, as the Fuhrer so brazenly espoused in his frightening manifesto, "Mein Kampf," had been enthusiastically embraced not only by the entire military but also by most of the civilian population. The long-suppressed proof of their widespread collaboration and participation was unveiled in The Wehrmacht Exhibition, a damning collection of photographs and film footage that toured Deutschland between 1999 and 2004. The show shook the country to its core because it forced folks to face up to the fact that it took much more than a madman and his henchmen to wipe out six million.
Beyond All Boundaries is a documentary film that takes viewers on a journey through the experiences of World War II soldiers. It offers an immersive cinema experience that vividly brings to life the challenges and sacrifices of those who fought in the war. Through a combination of archival footage, interviews, and stunning visual effects, the film aims to provide a deeper understanding of the human aspect of war.
When Sylvester hears that a children's museum's prize exhibit is Tweety Pie, he tires to raid the museum in order to have lunch. He doesn't succeed in his mission, due to Tweety's smartness, and the children.
Join us on a journey through the captivating world of The Museum as we delve into the various exhibits showcasing antiquities, art exhibitions, and the rich cultural heritage of Israel.
Avery and Peter face challenges in their marriage, including renovating their dream house and dealing with work pressures. Avery's surprise for Peter adds a new perspective to their relationship.
Sylvester Cat checks in to work at a museum with his son, Junior. He is bragging about his mouse-catching prowess when the baby kangaroo, Hippety Hopper, having escaped from the zoo, turns up in the museum. Sylvester and Junior, as usual, mistake Hippety for a giant mouse and chase him around the exhibits.
Katie and her tall girlfriend Joan go on a date to the museum. Mildly wacky shenanigans ensue.
After spending his entire life on display, Jim discovers that they're about to change the exhibit.
"In her day-in-the-life portrait of an African-American woman, Simpson uses tropes of cinema, diary, and surveillance. The portrait appears on 31 12-by-9-inch flat video screens arrayed on a gallery wall to resemble a month on a calendar: a row of three screens tops four rows of seven screens. Each video runs about 20 minutes and appears to chronicle the events of a single day; most shots last around five seconds and the streams of imagery are not synchronized, so viewers face a kinetic panorama." -Bill Stamets
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