Movies and TvShows featuring "moviemaker" theme.

After 70 years of silence, Adolf Hitler wakes up in modern-day Berlin and tries to navigate the political landscape.

When a group of strangers meet while on a road trip in Italy, they soon find themselves in a terrifying situation as they become trapped in a nightmarish reality. As their journey takes a sinister turn, they must confront their darkest fears and fight to survive.

This documentary explores the career of Lucio Fulci, a renowned Italian filmmaker known for his contributions to the horror genre. It delves into his filmmaking techniques, interviews with actors and crew members, and provides a comprehensive look into the impact of his work.

Halloween: 25 Years of Terror is a documentary that explores the history and cultural impact of the Halloween movie franchise. It takes a retrospective look at the making of the films, featuring interviews with the cast and crew, as well as film critics and industry professionals. The documentary delves into the creation of the iconic character Michael Myers and the influence of the series on the horror genre. It also examines the fanbase and the enduring popularity of the franchise. The film provides an in-depth exploration of the Halloween movies, covering their production, themes of death, violence, and sexuality, as well as their place in film history.

Scream: The Inside Story is a documentary that delves into the production and impact of the iconic horror film Scream. It features interviews with the cast and crew, discussing the creative process, the challenges faced, and the legacy of the movie.

In 1920s Hollywood, a wild party unfolds with scandalous secrets and passionate affairs. Amidst the film industry's decadence and infidelity, a group of filmmakers and actors navigate a night of excessive drinking, drug use, and promiscuity. The party serves as a backdrop for exploring the complexities of relationships and the hidden desires of those in the Hollywood spotlight.

Take an outrageous ride through this wild world of exploitation films with this thoroughly entertaining documentary, HERSCHELL GORDON LEWIS – THE GODFATHER OF GORE! Featuring cult director John Waters, Drive-In Movie Critic Joe Bob Briggs, Herschell Gordon Lewis himself and a “cast of thousands,” you’ll witness the innocent bare-naked era of Nudie-Cuties before Lewis schocked the world with “Blood Feast,” the first ever gore film!

Why We Try is a romantic comedy set in Zurich, Switzerland. It follows the story of a young student filmmaker who falls in love with an Argentinian student while working on a surrealistic experimental film. The movie explores themes of love, surrealism, and the challenges of making a film within a film.

THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.

10/31 is a horror anthology that follows the stories of various individuals who encounter supernatural and terrifying events on Halloween night. From escaped killers to haunted houses, the film explores the darker side of the holiday.

An investigation of UK video censorship after the video recordings act was introduced.

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking. Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation. It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.