The only thing worse than being the assistant to a high-maintenance movie star who doesn't take you seriously? Finding out he's smitten with your mom.
Honey Boy is an autobiographical film that explores the complicated and intense relationship between a young actor, Otis, and his alcoholic and abusive father. The story follows Otis as he reflects on his traumatic childhood experiences while in rehab, and delves into themes of addiction, trauma, and the struggle to find redemption.
In the 1950s, a socialite named Anne decides to leave her husband and embark on a road trip across America with her two young sons in search of a new husband. Along the way, they encounter various adventures and obstacles, leading Anne to reflect on her life and choices. Set against the backdrop of the post-war era, this comedic drama explores themes of love, identity, and the pursuit of happiness.
This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies.
Emily the chicken lives in Hickville but dreams of Hollywood. Her chance comes when director J. Megga-Phone happens to drive past and gives her his card.
The head of a big movie studio is pulling his hair out because the company is bankrupt unless they can find a writer for a smash comedy. An aspiring writer is awaiting outside the office and the producer agrees to see him. He listens while the writer tells his story and acts the numerous parts. The story is rotten, but the producer lets him escape while vowing vengeance on any other author who would read his story aloud.
The talking magpies, Heckel and Jeckle, crash a movie studio driving a papier-mache limousine, and have no problem eluding the studio watchdog by disguising themselves, at various times, as knights-in-armor, Romeo and Juliet and, then, a couple of penguins. After many defeats, the vigilant-but-dumb bulldog finally kicks them of the lot.
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