Movies and TvShows featuring "mother-baby-relationship" theme.

In a dystopian Seattle, a former policeman gets tangled up in a web of murder, robbery, and deceit. As he navigates through the seedy underworld, he must confront his own past and make difficult choices to survive.

An artist and single mother returns to her childhood home to patch things up with her mother who has Alzheimers disease.

Surrogacy is fast becoming one of the major issues of the 21st century—celebrities and everyday people are increasingly using surrogates to build their families. But the practice is fraught with complex implications for women, children, and families. What is the impact on the women who serve as surrogates and on the children who are born from surrogacy? In what ways might money complicate things? What about altruistic surrogacy done for a family member or close friend? Is surrogacy a beautiful, loving act or does it simply degrade pregnancy to a service and a baby to a product? Can we find a middle ground? Should we even look for one? From The Center for Bioethics and Culture, producers of the award-winning Eggsploitation (2010, 2013), and Anonymous Father’s Day (2011), Breeders: A Subclass of Women? explores this important issue, talking with surrogates, physicians, psychologists, and activists across the political and ideological spectrum.

Emma had a c-section. She didn’t see her son when he was born. When she finally meets him, she doesn't recognize her baby. How could she? Little by little, mother and child fall in love. The Cut delicately explores the complexity of the bond between mother and child.

Lovey and Dovey have a baby, named, of course, Snookums. Everything Snookums wants, Snookums gets. At his first birthday party, Lovey mistakenly believes Snookums has been kidnapped - and the chase is on.

Jing’s day begins with a graceful tracking shot that follows her from the early morning as she pumps breast milk, leaves her baby with her mother-in-law, and heads to the bakery where she works. Her baby daughter Qing is difficult and cries constantly and Jing frequently clashes with her live-in in-laws over childcare and housework, while her husband, who works as a delivery driver, views parenting as something he occasionally helps with. All she did was have a child, yet Jing’s life is turned upside down, leaving her in a situation where all her efforts to build her career have been negated. Director Oliver Siu Kuen Chan meticulously dissects Jing’s struggles, revealing the emotional turbulence she endures. The film’s realistic and precise narrative depicts the suffocating oppression women suffer within both family and society, the pressures of ‘being a mother’ and ‘motherhood,’ and resolutely move forward, forcing Jing to make a final decision.