Unearthed decodes mysteries and combines scientific investigations with CGI animation to reveal the hidden secrets of iconic structures and monuments from around the globe to discover how they were designed, built, used, and in some cases, lost and rediscovered.
Host Don Wildman takes viewers around the country without having to leave the comforts of home, visiting national parks, statues, and memorials to reveal the history and mysteries that surround these treasures. Whether it be a mysterious disappearance, an unsolved murder or an unexplained haunting, the show reveals secrets and information about each monument leaving the viewer with the a deeper understanding of these important places but often overlooked pieces of American history.
The notorious and mysterious criminal Furax steals France's famous monuments, replacing them with replicas.
The dramatic inside story of the monumental collision of interests at Ground Zero in the decade after 9/11.
A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.
A young, cynical French film student comes to London for the weekend to make a film project for his course. Disillusioned by his London experience, he's befriended by a stranger who shows him a side of the city, and himself, that he never would have seen. The story unfolds through his Super 8 film footage, and his voice-over narration gives us an insight into his thoughts and feelings throughout the journey.
The Romans saw the Seven Wonders of the Ancient World as the crowning achievements of their predecessors. Through stunning on-location and re-created visuals, learn how and why they were built and how they dazzled the ancients.
A documentary that investigates the complexity of a nation, Albania, through the narration of the convoluted history of its monuments. What happens to the statues when they are destroyed, what are they replaced with and where do their marble shreds end up? What happens to their expensive bronze? And again: what do the sculptors who made these statues think of these destructions, what is their opinion. And today? Which statues are being destroyed in Albania today?
In an alternate universe, three super-humans are treated so harshly by humanity, they each go mad in their own way.
This is a somewhat ironic, but very informative story about the origin, development and decline of the Greek Olympiad tradition, set out with the help of an off-screen commentary read by Z. Gerdt. Ancient history is described in great detail and exciting. In the graphic decision, artists were guided by the ancient Greek monuments, first of all - vase paintings, stylized for them and characters, and decorations, up to imitation cracks. In the film there are a lot of full-scale shots, and in particular it is interesting to frame the photographs of the bas-reliefs of the Pergamon altar shot by Yuriy Norshtein. The film ends with documentary shots of the opening of the Olympics-80 in Moscow.
Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).
The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.
'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.
The 1966 construction of Alexander Calder's 'La Grande Voile' (The Big Sail), a monumental sculpture installed in McDermott Court at MIT in Cambridge.
When first viewing Zustand und Gelände, we might be under the impression it belongs to a well-known tradition of historical documentaries. Long shots, extremely slow all-round views, steady panning: the image patiently describes a series of urban sites and landscapes of the former German Democratic Republic (Saxony and Thuringia). Through highly elaborate arrangements of archives from different sources (police reports, survivors’ testimonies, administrative correspondence, and more), an o -screen voice establishes what these places set the stage for in March 1933: the Nazi concentration system and an elimination regime of all political opposition. Especially noteworthy, in this film, is the extremely attentive channelling towards still unknown times and geographies of the horror Hitler inflicted on the first victims: people with sympathies for communism, activists, trade unionists, socio-democratic journalists, and so on.
On the island of Amorgos, during summer. Small monuments were erected at the scene of a fatal accident: a photograph, a few words, flowers, religious or pagan objects. The deceased "stayed there": dead in transit, on a road, frozen forever.
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