Marina Abramović: The Artist Is Present is a documentary film that explores the life and work of renowned performance artist Marina Abramović. The film provides an intimate and insightful look into Abramović's career, showcasing her groundbreaking performances and exploring the themes of art, endurance, and human connection. Through interviews, archival footage, and the documentation of Abramović's most famous performance, 'The Artist Is Present,' the film offers a deep understanding of the artist's impact on contemporary art.
The wanton dancer Thais, tries to entice Paphnutius from becoming a monk but fails. He later returns to reclaim her soul and follow in his footsteps. They attempt to live lives of simplicity, but the pull of worldliness is too strong.
An aviator who crash landed on an island in the South Pacific returns home to find that he is the last fertile man left on Earth after an epidemic of masculitus.
How can an artist discover abstraction by the beginning of the 20th century and nobody is noticing? A woman, misjudged and concealed, rocks the art world with her mind-blowing oeuvre. Hilma af Klint was a pioneer creating her first abstract painting in 1906, four years before Vassily Kandinsky. But why was she ignored? Why are her paintings not available on the market? This first film on her is about her life and work, the role of women in art history and the discovery of an art scandal. Her quest for meaning in life and a boundless thinking led into a timeless, outstanding oeuvre.
A cruel sea captain shanghais Jimmie to work on his ship, but Jimmie's girlfriend also stows away on board, disguised as a sailor.
Al attempts to sneak inside the studio to keep a date with an actress. He finally exchanges places with a dummy and lands within the walls of the studio, finds the girl and is promptly thrown out when he spoils several scenes and nearly causes a riot.
Christina Elliott is concerned about her cousin's relationship with a snake dancer. Many complications ensue until a happy ending for almost all.
Film 108 in the Hazards of Helen series
This film documents Kutlug Ataman's artistic production in a retrospective approach and elucidates his works with his own words and with commentaries by curators, art institution directors, art historians and critics who are familiar with his production through close collaboration, to witness the construction of an impressive artistic production spanning 15 years. The film also includes the excerpts from the artworks and the installation footages of their realization.
The human pals of three apes become so attached to them that they take them to their home in the city where the apes prove too destructive to be really appreciative.
It's time for all the children to go to the one-room school house. Everyone is on time, with an apple for the teacher, except one student whose goat-cart failed when the goat got tired, so he had to carry the goat. Good thing he's a strong chimpanzee.
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