Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.
Directed by Nurith Aviv.
One street in southern Tel Aviv - doomed to be a home for refugees ever since it was planned - brings forth a mosaic of characters living in a hallucinatory reality of a cityscape that has its charms, but is not always kind and merciful.
Twelve-year-old Mussa won't speak and no one knows why. He is an African refugee living in Tel Aviv, and for the past five years he's been bussed from his troubled neighborhood to an upscale private school. Moussa's Israeli classmates are his best friends, but he chooses to communicate with them only through gestures.
Hotline is a gripping documentary that sheds light on the lives of migrant workers in Israel. It explores their struggles, hopes, and the challenges they face in a foreign land. The film delves deep into the issues of immigration, refugee status, emigration, and the experiences of migrant workers.
Grace came to Israel from the Philippines 20 years ago in search of work. Here she met and married an Israeli, and had three sons. After her divorce, she began to rediscover her sexuality finds herself torn between her love for a woman who returned to the Philippines, and her children's desire to be Israeli and serve in the IDF.
In the heart of Tel Aviv, there is an exceptional school where children from forty-eight different countries and diverse backgrounds come together to learn. Many of the students arrive at Bialik-Rogozin School fleeing poverty, political adversity and even genocide. Here, no child is a stranger. The film follows several students' struggle to acclimate to life in a new land while slowly opening up to share their stories of hardship and tragedy.
The warm relationship between Mendel, an elderly Holocaust survivor, and his Filipino caretaker, Jose, is tested when Jose does not have a work permit and the police begin searching the neighborhood for illegal foreign workers.
Five minutes from the sated center of Tel Aviv, lays a huge, bold, brutal labyrinth. The city's central station has become a compound without rules. No man's land. It's hard to tell who is against whom, who controls whom: The Ghanians against the Eritreans against Sudanese against the locals against anyone black or non Jewish. A mosaic of people trying to survive while trapped in their roles in a dog eat dog world. Through the people, a portrait emerges, the face of this place that is that of the country. A mixture of languages, religions, locals and foreign refugees. A gunpowder barrel that has exploded spreading fear, racism, aggression and violence.
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