During the COVID-19 pandemic, two actors find themselves unable to stage their play due to the lockdown. They decide to rehearse over video calls, leading to hilarious and heartwarming situations as their bromance develops.
Independent Filmmaker Caveh Zahedi is trying to make a television show. He persuades BRIC TV, a Brooklyn non-profit Arts organization, to finance a television show whose premise is that every episode will be about the making of the previous episode. In the process of creating the show, everything can-and does-go wrong. The cast, a who's who of Brooklyn's independent filmmaking community, includes Alex Karpovsky, Eleonore Hendricks, Dustin Defa, and Onur Tukel.
A filmmaker becomes dangerously obsessed with an actress and kidnaps her in order to make her the star of his film.
Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.
A wannabe film director becomes embroiled in a battle against the laws of time and space when his attempts to recreate the iconic black and white, photograph-only, time travel film, La Jetée, spiral out of control.
Against the backdrop of the 1977 Edinburgh Film Festival, two low-budget filmmakers attempt to talk up some finance as they hunt for cash, cast and ‘name director’ Sam Fuller to shoot their Aberdeen-set oil-boom adventure ‘Gulf and Western’. Along the way, they encounter a plethora of filmmaking luminaries including Wim Wenders, Stephen Frears, John Boorman, Bill Forsyth and Alan Bennett.
Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.
A woman embarks on a life-changing trip, where she confronts difficult experiences and learns to overcome them, ultimately finding strength and independence.
Vicky and Sonia are two young girls who investigate the secret of a luxury house that killed several people. On his first night there will realize that things are not as they imagined... they are even better.
In the midst of a dreamlike atmosphere, a woman named Vasfiye navigates through surreal encounters, including a stabbing incident, in a nightclub. The film follows her journey through various episodes and explores themes of identity and desire.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
Preparing for a role, an actress holds conversations with pregnant young girls. Throughout the process, the girls lay out the stories of their own lives on camera, changing the course of the production of the film.
Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.
As a film director works on his submission for a film festival, the mounting issues during production reveal what truly unfolds behind (the scenes) what we've seen.
London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.
A meditation which is equal parts hungarian folklore, and classic gangster film. Wherein the youngest son is on the run, after stealing the boss' magic suitcase and the love of her dame. But nothing is as it seems, since the gang-boss is also the writer of the film, costantly rewriting their fates, through the stories he creates.
A troubled filmmaker struggles to watch his own film in a cinema inside his head, along with a made-up audience that negatively reacts to his film, State of Matter.
A bloody thriller (sort of Agatha Christie does The Twilight Zone) morphs into its own “making of”, a really talky one - a conversation about film, about fear, about fiction. The type of film where the less you know, the better. The title is almost a malaprop - a better one would’ve been F for Fake, but it was already taken. Howard Hawks said that a great movie needs three good scenes and no bad ones. This movie has only three scenes - so there you go.